Yamina Benguigui, personal guest of Emmanuel Macron: her place of choice in the procession in Algeria

Paris and Algiers will work together hand in hand on innovative projects, important for the youth of these two countries. And in particular articulated around cinematographic creation. Beautiful prospects in the idea of ​​soothing the wounds, and moving forward, ignoring the past. And the movie sisters by Yamina Benguigui co-produced by France and Algeria is the perfect image. We find there the actresses Isabelle Adjani, Rachida Brakni, Hafsia Herzi and Maïwenn, who like Yamina Benguigui root their family history between the two countries.

Yamina Benguigui’s work has a political, sociological and geopolitical dimension recognized in many universities where her films are studied, films that challenge politicians, business leaders, historians, communities… all layers of society society.
Yamina Benguigui’s view of Algeria and Africa is an African view. For her, Algeria is the bridgehead of this immense continent, an essential economic and diplomatic power in relations between France, Europe and Africa. She sees the Algerian diaspora as a cement between France and Algeria, a cement of which she is undoubtedly one of the best binders. There are many leading political figures and economic actors who call on the deep knowledge that this tireless ambassador of dialogue has of African countries and Algeria in particular. A woman of leadership, a woman of conviction, Yamina Benguigui is also a woman of heart faithful to her values ​​and her origins.
It is to Algeria that she dedicated the “7 d’or” which she received in 1997 for her documentary “Mémoire d’immigrés, l’ patrimoine maghrébin”.

Invited by the Algerian President Abdelmadjid Tebboune in July for the commemoration of 60 years of independence, and on the occasion of this trip, the director Yamina Benguigui was the personal guest of President Emmanuel Macronas part of its three-day official trip to Algeria. We could see her with him while the French head of state made a long visit to the European cemetery of Saint-Eugene, in the suburbs of Algiers, on Friday August 26. In arid heat, the husband of Brigitte Macron laid a wreath in front of the monument to “died for France“, as reported by Point. The president was seen walking the paths of this sumptuous cemetery, stopping in front of the squares, amidst pines and cypresses.

The opportunity for Emmanuel Macron to also stop in front of the burial of Roger Hanin. With the one who spent his summer vacation in Brégançon, we therefore found Yamina Benguigui (see our slideshow) but also the director Alexandre Arcady and the economist Jacques Attali. The continuation of Macron’s visit to Oran was held at a place that has become legendary in El Bahia, Disco Maghreb. Getting out of the car to approach the citizens, he found himself facing a crowd, when he was going to stop at the great library of Oran to greet the Oranais. During his visit to Disco Maghreb, the President of the Republic was again accompanied by Yamina Benguigui, as well as the other members of his delegation, the French Minister of Culture Rima Abdul-Malak, Kamel Bendaoud, Abdelkader Sector, Zahouania and d ‘others. After Algeria, Emmanuel Macron joined Le Touquet, where he has just spent the weekend with his family.

sisters by Yamina Benguigui, an award-winning film

The film sisters of the director was awarded last June, during the 18th Edition of the International Festival Cinema and Migrations of Agadir. Two prestigious awards, the prize for the best achievement and his actress Maïwenn, that of the best actress, were awarded to him. This film, Yamina Benguigui is very attached to it as she confided last year in an interview to RTS : “Our parents never gave themselves the right to put down roots in France because they thought they would return home one day. So we grew up a little in hiding from everyone and with the difficulty of telling and talking about our history. Because to speak of us or of our parents was to betray the word. With sistersI transgressed this silence, because I needed to make a committed cinema, and to go and carry this word“, she let know.

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