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Critique
Tag: Critique
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[Critique] “Novice” by Stéphane Dompierre: A killer so pocket
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March 26, 2022
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[Critique] “Gray bees”: Andrei Kurkov and the Donbass beekeeper
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March 26, 2022
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[Critique] “Ouistreham”: The false person
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March 26, 2022
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[Critique] “The zoo of the absent” and “Anthropic journal of the animal cause”: A literature sensitive to animals
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March 26, 2022
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[Critique] “Wildhood”: electrifying youth in rebellion
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March 26, 2022
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[Critique] “Triangle Strategy”: More nostalgic than us
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March 26, 2022
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[Critique] “The Lost City”: Chasing the Red Crown
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March 26, 2022
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[Critique] “Barbada”: Barbada in songs
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March 26, 2022
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[Critique] “Classified”: spies and spouses
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March 26, 2022
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[Critique] “Memory Box”: The repressed past
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March 25, 2022
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[Critique] “Gifted”, Koffee | The duty
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March 25, 2022
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[Critique] “Composer and adventurer”, François de Roubaix
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March 25, 2022
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[Critique] Domenico Scarlatti, Michael Korstick
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March 25, 2022
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[Critique] “SZNZ:Spring”, Weezer | The duty
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March 25, 2022
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[Critique] “Keep on With Falling”, The Boo Radleys
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March 25, 2022
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[Critique] “The businessman and his blues”: discovering Gilles Talbot
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March 25, 2022
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[Critique] “What we breathe on Tatouine”, a playful adaptation
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March 25, 2022
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[Critique] “Labyrinthitis”, Destroyer | The duty
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March 25, 2022
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[Critique] “Labyrinthitis”, Destroyer | The duty
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March 25, 2022
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[Critique] “Jean-Sébastien Bach: Matthäus-Passion”, Pygmalion and Raphaël Pichon
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March 25, 2022
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