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Critique
Tag: Critique
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[Critique] “H2T Live Session (EP)”, Peter Peter
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June 3, 2022
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[Critique] “Schubert: Piano Sonatas D. 959 and 960”, Dong Hyek Lim
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June 3, 2022
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[Critique] “Nicolas Gemus”, Nicolas Gemus
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June 3, 2022
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[Critique] “Citizen Sleeper”: In the Ruins of Capitalism
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June 3, 2022
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[Critique] “Destello de estrellas”, Ramon Chicharron
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June 3, 2022
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[Critique] “William Bolcom: The Complete Rags”, Marc-André Hamelin
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June 3, 2022
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[Critique] “Big Time”, Angel Olsen
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June 3, 2022
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[Critique] “Angel Life”, Marilyne Léonard
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June 3, 2022
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[Critique cinéma] “Fire Island”, pride, prejudice and cheerfulness
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June 3, 2022
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[Critique] “Babysitter”: Amy, a nanny who wants you well
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June 3, 2022
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[Critique] “The incandescent ones”, with fire and blood
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May 28, 2022
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[Critique] The Surreal Production Lines of Mika Rottenberg
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May 28, 2022
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[Critique] The ghosts of the abolition of slavery in the eyes of Howard Zinn
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May 28, 2022
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[Critique] “Gabor”: testifying through images
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May 28, 2022
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[Critique] “Valiant hearts”: the art of eclipsing its subject
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May 28, 2022
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[Critique] “Loto-Méno”: the unsuspected political influence of Véronique Cloutier
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May 28, 2022
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[Critique] “Arma Reforger”: a temporary test bed for “Arma 4”
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May 28, 2022
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[Critique] «The Original Recordings», The Sex Pistols
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May 28, 2022
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[Critique] The Force returns with “Obi-Wan Kenobi”
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May 27, 2022
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[Critique] “Cruel Country,” Wilco | The duty
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May 27, 2022
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