Get out your QR code readers to see Queen Ka on stage. Thus, inserted between the texts, the images and the voice of the performer are accessible to us. In addition, we have access to these texts and to the printed matter. A rich book in this sense, a discovery for those who have not followed it firsthand. If the great revolt of these interventions had a new tone, it becomes watered down by habit. What clashed is repeated. In many remarkable respects, the dazzling energy of the testimony induces this poetry of badly mouthed orality, making accumulation the very essence of this obsessive insistence. But, want it, don’t want it, clichés interfere, like this “noise that contaminates the suffocation of our senses”. Stronger descriptions like “writing on our laundry getting mixed up in the washer [s]a passionate bra that picks up anything that spins.” There was a time when we swooned over these whirlwinds, now it is as innocuous as a pretty flower in the pretty spring. But these 15 years of work in the extreme truth command admiration.
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