We talk about it: Netflix, the famous American platform, which has undertaken to broadcast Caleb’s daughters, has especially decided to censor an episode.
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The reason? A character paints his face black to play one of the Three Kings in a Christmas play.
I would point out that the series, shot in the 1990s, takes place at the end of the 19th century.e century, in Mauricie. But Netflix understands nothing about Quebec history and its officials have decided to see it as a blackfacereason justifying the censorship of the episode.
Censorship
Everything is crazy in this story.
First, a cult Quebec series is censored, in the name of the new American morality, based on racial obsession. We take the liberty of depriving Quebeckers of their own cultural heritage. What will our crazy censors say if they find out that in Throw and countwhat they call a blackface is even used by National players as a symbol of anti-racism?
Secondly, this decision testifies to the pressure of the neo-puritans who want to impose their conception of blasphemy on us. They don’t like a serial scene? They censor it. They don’t like the title of a book, they want to ban it, as seen with white niggers of america. They don’t like a professor using the word “nigger” from a pedagogical perspective, they’re ruining her career, as we saw at the University of Ottawa.
Wokism
Third, the blackface does not exist in Quebec. It’s all about context, and our context has nothing to do with the United States. It’s imported trauma. In the name of “decolonization” and openness to “minorities”, American cultural colonialism is favored in Quebec.
We must liberate Quebec from wokism and deliver it from American racial neuroses. And you have to restore all of the Daughters of Caleb.