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Critique
Tag: Critique
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[Critique cinéma] “All My Puny Sorrows”, screams and stumbling
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April 14, 2022
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[Critique concert] Passionate story, musical lullaby
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April 14, 2022
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[Critique] “Where are they? A sketch of the history of women” by Emmanuel Todd: would the witch hide a fairy?
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April 9, 2022
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[Critique] “Portable Nights”: More than stories of couples
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April 9, 2022
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[Critique] “Anatomy of a scandal”: rape and them
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April 8, 2022
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[Critique] “Twist in Bamako”: the utopian Mali of Robert Guédiguian
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April 8, 2022
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[Critique] “Windjammers 2”: The King of Frisbee
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April 8, 2022
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[Critique] “A demented life”: Damaged cognition and filial love
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April 8, 2022
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[Critique] “Women of the woods”: the weather is good
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April 8, 2022
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[Critique] “Everything Everywhere All at Once”, a multiverse to have fun
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April 8, 2022
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[Critique] Life and allegories of a cow in “Cow”
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April 8, 2022
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[Critique théâtre] “Lack”: madness in four
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April 7, 2022
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[Critique] “The island without a bridge”: a refuge in itself
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April 2, 2022
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[Critique] “French Toast” and “Auschwitz, Quiet City”: Round Trip to Hell
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April 2, 2022
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[Critique] “Preies” by Andrée A. Michaud: manhunt
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April 2, 2022
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[Critique] ‘Ghostwire: Tokyo’: Hauntingly Beautiful, Promising Premise, But Ordinary Narrative
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April 1, 2022
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[Critique] “Everything went well”: François Ozon and assisted death
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April 1, 2022
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[Critique] “The time of secrets”: between praline and mothballs
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April 1, 2022
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[Critique] “Make the walls scream”: in the footsteps of Banksy
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April 1, 2022
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[Critique] “The Bubble”: being too much in your bubble
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April 1, 2022
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