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Critique
Tag: Critique
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[Critique] Festival Petits bonheurs: between the colt and the gray donkey
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May 10, 2022
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[Critique] “The great stampede”: the filthy underside of power
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May 8, 2022
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[Critique] “Black ideas”: identification of a woman
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May 7, 2022
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[Critique] “The great stampede”: the filthy underside of power
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May 7, 2022
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[Critique] “In the Land of Quiet Despair”: Discomfort and Difference
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May 7, 2022
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[Critique théâtre] “Vania and Sonia and Masha and Spike”, Chekhov the muse
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May 7, 2022
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[Critique] Rafael Payare chooses Shostakovich for his discographic baptism
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May 7, 2022
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[Critique] “The fine flower”: roses for Catherine Frot
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May 7, 2022
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[Critique] “Fondant”, a sweet and savory show
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May 7, 2022
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[Critique] ‘Very nice day’: Hell is yourself
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May 6, 2022
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[Critique jeu vidéo] “Vampire Survivors”: the product of a passion
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May 6, 2022
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[Critique] “Far from the ring road”: a sequel, hopefully, without a future
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May 6, 2022
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[Critique] “A New Day”: Beyond the “Grand Operation”
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May 6, 2022
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[Critique] “Farewell Mr. Haffmann”: behind closed doors
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May 6, 2022
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[Critique] “The fragmentations”: such vast anguish
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April 30, 2022
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[Critique] “Karel Ančerl”, Czech Philharmonic Orchestra
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April 30, 2022
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[Critique] “Who is grumbling”: Yannick Rieu Generation Quartet
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April 30, 2022
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[Critique] “Perverted Tolerance”: Should Melville Be Censored?
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April 30, 2022
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[Critique] “The place where you still exist”: the forest, this beloved
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April 30, 2022
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[Critique concert] French Baroque Jubilatory
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April 30, 2022
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