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Critique
Tag: Critique
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[Critique] “Our possibilities”, Amélie Veille
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May 27, 2022
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[Critique] Gone Girl, Magi Merlin
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May 27, 2022
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[Critique] “Battle for the soul of Quebec”: identity shocks
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May 27, 2022
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[Critique resto] Honō Ramen, the secret is in the noodles
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May 27, 2022
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[Critique] “Memories of Auguste Descarries”, Isabelle David
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May 27, 2022
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[Critique] “Baby, We’re Ascending”, HAAi
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May 27, 2022
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[Critique] “Julie’s Aria”, Rhiannon Giddens
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May 27, 2022
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[Critique] “Love and Fantasy: Melodies by Lionel Daunais”, Dominique Côté and Esther Gonthier
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May 27, 2022
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[Critique] The fierce comeback of “Stranger Things”
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May 24, 2022
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[Critique] The fierce comeback of “Stranger Things”
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May 24, 2022
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[Critique] On your screens: Dinos, teenagers and a significant epidemic
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May 21, 2022
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[Critique] “The penances”: an anxiety-provoking camera on the reverses of precariousness
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May 21, 2022
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[Critique] “Correspondence with writers”, Truffaut, letter writer
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May 21, 2022
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[Critique croisée] Kathleen Alcott, David Joy and the dark side of America
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May 21, 2022
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[Critique] “Les intranquilles”: a man overboard
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May 21, 2022
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[Critique] The radiant faith of Brahms’ Requiem
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May 21, 2022
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[Critique] “Men”: all the same
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May 20, 2022
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[Critique] “Pleasure”, or exposing porn
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May 20, 2022
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[Critique] “Memoria”: metaphysical memories | The duty
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May 20, 2022
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[Critique] “Bruise Sky Color,” Mat Vezio
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May 20, 2022
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