Cultural revival | Winter/Spring programme: well-being in museums

Back to well-being in museums. With the comfort of Nicolas Party at the Montreal Museum of Fine Arts, Canadian Impressionism at the National Gallery of Canada in Ottawa, or even the Manif d’art disseminated on many sites of Quebec.

Posted at 6:00 p.m.

Eric Clement

Eric Clement
The Press

MMFA

The visit of Nicolas Party to the Montreal Museum of Fine Arts (MMFA) is the museum event of this beginning of the year. The exhibition of the Swiss artist has just been launched at the Hornstein pavilion. With its pastels, paintings, sculptures and four mural works created in situ. All with works from the museum chosen in accordance with the theme of the exhibition, namely our links with nature. Guaranteed delight.

In addition, the museum will present, from 1er March to July 10, Adam Pendleton: What We Did Together, the first solo in Canada by the young American conceptual artist. With four monumental paintings from his series Untitled (We Are Not)seven drawings from the corpus black dada and his film about avant-garde dancer Yvonne Rainer.

  • View of the Nicolas Party exhibition

    PHOTO ROBERT SKINNER, THE PRESS

    View of the Nicolas Party exhibition

  • Adam Pendleton

    PHOTO SANGTAE KIM, PROVIDED BY THE MMFA

    Adam Pendleton

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MNBAQ

The National Museum of Fine Arts of Quebec (MNBAQ) participates in the 10and Manif d’art – Biennale de Québec held in the Old Capital until April 24. On the subject Illusions are realit presents a hundred works that address current socio-political issues.

Among the artists exhibited, we note the Canadians Michel de Broin, Nicolas Baier, Karen Tam, Maskull Laserre, Annie Baillargeon or Karine Payette and, from outside, Pierre Huyghe (France), Tony Tasset (United States) and Gabriel Lester ( Netherlands).

At the same time, the MNBAQ will propose, as of Thursday, Latent energies. Paul-Émile Borduas in the present. The donation of Michael J. Audain and Yoshiko Karasawaan exhibition centered on the donation of paintings by Borduas, with works by Riopelle, Dominique Blain, Nadia Myre, Michel Campeau, Alain Paiement and Michaëlle Sergile.

  • Conscience (detail), 2018, Maskull Lasserre, steel, magnet, cable, 30 cm x 46 cm x 610 cm (variable dimensions)

    PHOTO PROVIDED BY THE MNBAQ

    Consciousness (detail), 2018, Maskull Lasserre, steel, magnet, cable, 30 cm x 46 cm x 610 cm (variable dimensions)

  • Untitled, 1957, Paul-Émile Borduas, oil on canvas, 73 cm x 60 cm.  MNBAQ collection.  Gift of Michael Audain and Yoshiko Karasawa.

    PHOTO DENIS LEGENDRE, MNBAQ

    Untitled, 1957, Paul-Émile Borduas, oil on canvas, 73 cm x 60 cm. MNBAQ collection. Gift of Michael Audain and Yoshiko Karasawa.

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NGC

Canada and Impressionism. New Horizons is the major back-to-school exhibition at the National Gallery of Canada (NGC). It has already been presented at the Kunsthalle in Munich, at the Fondation de l’Hermitage in Lausanne and at the Musée Fabre in Montpellier. It gives access to around a hundred works by 36 Canadians who flirted with Impressionism, including Maurice Cullen, Clarence Gagnon, Helen McNicoll, Marc-Aurèle de Foy Suzor Côté and Emily Carr. Until June 12.


PHOTO IDRA LABRIE, MNBAQ, PROVIDED BY THE NGC

Sunny September, 1913, Helen McNicoll, oil on canvas, 92 cm x 107.5 cm. Pierre Lassonde collection.

Mac

At the Montreal Museum of Contemporary Art (MAC), temporarily installed at Place Ville Marie, the exhibition Contagion of Terror, on the damage of the Israeli software Pegasus, will end on April 12. Then, on May 18, the MAC will present an equally biting immersive exhibition by New York videographer Mika Rottenberg. With his videos NoNoseKnows (2015), Cosmic Generator (2017) and Spaghetti Blockchain (2019).


PHOTO MIKA ROTTENBERG, PROVIDED BY THE MAC

Cosmic Generator (freeze frame), 2017, Mika Rottenberg, video installation, 26 min 36 s

McCord Museum

The McCord will celebrate its 100th birthday this year. With, among other things, exhibitions focusing on diversity. Until September 18, it gives pride of place to queer photography with the first museum solo by JJ Levine, a Montreal trans photographer who depicts his queer friends in their daily lives.

As of March 25, the museum will welcome the Inuit Niap in residence. She was inspired by objects from the McCord collection to create installations. Note that the exhibition Parachute on subversive 80s fashion will end on April 24.


PHOTO ALAIN ROBERGE, THE PRESS

JJ Levine, at the McCord Museum

Joliette Art Museum

The Joliette Art Museum (MAJ) offers until May 15, Dessiller: opening up to the off-screen. With works that defy convention, signed in particular Lorna Bauer, Marie-Claire Blais, Nadège Grebmeier Forget or Tau Lewis. The museum also exhibits paintings by Ontarian Derek Liddington and has installed three works by Alberta duo DaveandJenn, a video and sound installation, The song of the forest, a painting and a video diptych. The installation adopts an exotic language inspired by 17th century Dutch painting.and century. A reflection on human activity and its consequences on nature.

  • View of the installation Le chant de la forêt, by the duo DaveandJenn

    PHOTO PROVIDED BY THE MAJ

    Installation view The song of the forestfrom the duo Dave and Jenn

  • Opus (The Ovule), 2021, Tau Lewis.  Courtesy of the artist and Night Gallery, Los Angeles.

    PHOTO NICK MASSEY, SUPPLIED BY THE MAJ

    Opus (The Ovule), 2021, Tau Lewis. Courtesy of the artist and Night Gallery, Los Angeles.

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Pointe-a-Calliere

After Make way for the circus!which ends on March 6, the City of Archeology and History of Montreal will present Vikings – North Sea Dragons, from April 14. An exhibition on the Vikings with 650 objects from the National Museum of Denmark. As was the case for Queens of Egypt in 2018, Ubisoft accompanies the museum in this presentation with images and videos taken from the game Assassin’s Creed Valhalla.


PHOTO JOHN LEE, PROVIDED BY THE POINTE-À-CALLIÈRE MUSEUM

This Viking harness in bronze and gold on wood was carried on the back of a horse. At the ends, the patterns represent howling wolves or dragons.

Chateau Ramezay

Ramezay will offer two new exhibitions in a few weeks. Inuit worlds – The Saladin d’Anglure collection, an immersion in the world of the Inuit under the eye of anthropologist Bernard Saladin d’Anglure. An exhibition of Laval University. And Arctic Lessons, about Norwegian explorer Roald Amundsen, the first white man to cross the Northwest Passage and reach the South Pole. A feat facilitated by his knowledge acquired through contact with the Inuit. The dates are to be confirmed on the museum’s website.


PHOTO PROVIDED BY CHATEAU RAMEZAY

Shaman (angakkuq) and his drum (qilaut)1982, Iglulik (Nunavut), whalebone, caribou antler and stone

Civilization Museum

In Quebec, the Musée de la civilization (MCQ) presents Vast Body. Infinite moves, an interactive installation on movement, by Caroline Robert and Vincent Morisset. Then, from April 5, with the exhibition Eeyou Istchee: an invitation to experience the territorythe museum will allow visitors to spend a day with the Crees of Waswanipi during the traditional spring goose hunt, the Goose Break. With images shot in 360 degrees. Until February 2023.


PHOTO IAN SAGANASH/THE BRIGHT RED BOX, PROVIDED BY THE MCQ

A 360 degree image of the exhibition Eeyou Istchee: an invitation to experience the territory

Sherbrooke Museum of Fine Arts

In Sherbrooke, the Sherbrooke Museum of Fine Arts (MBAS) has two exhibitions at the start of the year. Rita Letendre. lines of force comes from the Musée du Bas-Saint-Laurent and presents some thirty works created by Rita Letendre between 1953 and 1980. Intended for young art lovers, The man who saw the man who saw the bear is produced in collaboration with the organization Musée ambulant. The audience is greeted by Bruce the Bear, a work by Paryse Martin that guides children through a fantastic journey in which the visitor is the hero. With works by Ludovic Boney, Serge Lemoyne, Guido Molinari, Fernand Toupin and Armand Vaillancourt.

  • Now, 1967, Rita Letendre, Silkscreen, 51 cm x 70.5 cm.  Bas-Saint-Laurent Museum collection.

    PHOTO MBSL, PROVIDED BY THE MBAS

    Now, 1967, Rita Letendre, Silkscreen, 51 cm x 70.5 cm. Bas-Saint-Laurent Museum collection.

  • View of the exhibition The Man Who Saw The Man Who Saw the Bear

    PHOTO FRANÇOIS LAFRANCE, PROVIDED BY THE MBAS

    View of the exhibition The man who saw the man who saw the bear

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