For those close to Delphine Jubillar, the guilt of her husband Cédric leaves little doubt. On Facebook, some of them have a page in her memory and have baptized her with, not her surname as a married woman, but her maiden name, Aussaguel. A way to detach the thirty-year-old from the one she was about to divorce, she who wanted to start a new life with a new man. It is on this same account that a heartbreaking message was unveiled in this month of June which does not give gifts to the painter-plasterer that the Tarn nurse wanted to leave.
She is a work colleague of Delphine, who took up her pen to show her all her affection for the one who was very appreciated in her profession, but not only. By recounting their last moments together, preparing for the Christmas party, she wonders about the hypothesis of a voluntary departure of the young woman: “But we, her colleagues (in any case those of chir!) We know very well that Delphine did not leave of her own free will! How could she have considered and organized the New Year’s Eve of December 24, 2020 together (…) to flee a few days before to Africa, with her lover… or I don’t know what other ‘shit’ I could read! This year, no one from the 2 departments had the heart to come together to celebrate the 24th together!“
This friend, certain that she has been harmed, refuses to name a culprit but does not hide her opinion much by submitting hypotheses to find out “who benefits from the crime?“: “To a man you met 6 months before with whom you had plans? To a jealous wife, of whom we know nothing? To an immature husband, who still saw you like the first day you met and who had his reasons for not letting you go? I have my own opinion on this. Which I will keep. (…) That Cédric Jubillar’s lawyers provide more proof of his innocence so that I can think otherwise.”
Maître Battikh, whose clients are Didier and Élisabeth, Delphine Jubillar’s uncle and aunt, and three of their children, had also formulated the elements that make it possible to design the mobile of the controversial craftsman: “Cédric Jubillar appears as a compulsively jealous husband who saw his wife escape him. Understanding that there was no turning back possible and that he could never win her back, he would have taken action.“
Cédric Jubillar remains presumed innocent of the charges against him until the final judgment of this case.