Les premiers hommes de la lune par HG Wells


The First Men in the Moon est une romance scientifique de l’auteur anglais HG Wells. D’abord sérialisé dans The Strand Magazine de décembre 1900 à août 1901, il a ensuite été publié en couverture rigide. Dans l’ensemble, c’est une grande histoire d’aventure de cape et d’épée. Bien sûr, l’âge a dépassé la science, mais c’est toujours un mélange divertissant d’humour, de danger et d’excitation. Bedford, notre narrateur, est un gamin égoïste et égoïste : un peu comme Terry Thomas. Son interaction avec Cavor, un scientifique détaché, est toujours amusante.

Résumé de l’intrigue
(voir spoiler)

When a sheet of cavorite is prematurely processed, it makes the air above it weightless and shoots off into space. Bedford sees in the commercial production of cavorite a possible source of « wealth enough to work any sort of social revolution we fancied; we might own and order the whole world ». Cavor hits upon the idea of a spherical spaceship made of « steel, lined with glass », and with sliding « windows or blinds » made of cavorite by which it can be steered, and persuades a reluctant Bedford to undertake a voyage to the Moon; Cavor is certain there is no life there. On the way to the Moon, they experience weightlessness, which Bedford finds « exceedingly restful ». On the surface of the Moon the two men discover a desolate landscape, but as the Sun rises, the thin, frozen atmosphere vaporises and strange plants begin to grow with extraordinary rapidity. Bedford and Cavor leave the capsule, but in romping about get lost in the rapidly growing jungle. They hear for the first time a mysterious booming coming from beneath their feet. They encounter « great beasts », « monsters of mere fatness », that they dub « mooncalves », and five-foot-high « Selenites » tending them. At first they hide and crawl about, but growing hungry partake of some « monstrous coralline growths » of fungus that inebriate them. They wander drunkenly until they encounter a party of six extraterrestrials, who capture them. The insectoid lunar natives (referred to as « Selenites », after Selene, the moon goddess) are part of a complex and technologically sophisticated society that lives underground, but this is revealed only in radio communications received from Cavor after Bedford’s return to Earth.

Bedford and Cavor break out of captivity beneath the surface of the Moon and flee, killing several Selenites. In their flight they discover that gold is common on the Moon. In their attempt to find their way back to the surface and to their sphere, they come upon some Selenites carving up mooncalves but fight their way past. Back on the surface, they split up to search for their spaceship. Bedford finds it but returns to Earth without Cavor, who injured himself in a fall and was recaptured by the Selenites, as Bedford learns from a hastily scribbled note he left behind.

By good fortune, the narrator lands in the sea off the coast of Britain, near the seaside town of Littlestone, not far from his point of departure. His fortune is made by some gold he brings back, but he loses the sphere when a curious boy named Tommy Simmons climbs into the unattended sphere and shoots off into space. Bedford writes and publishes his story in The Strand Magazine, then learns that « Mr. Julius Wendigee, a Dutch electrician, who has been experimenting with certain apparatus akin to the apparatus used by Mr. Tesla in America », has picked up fragments of radio communications from Cavor sent from inside the Moon. During a period of relative freedom Cavor has taught two Selenites English and learned much about lunar society.

Cavor’s account explains that Selenites exist in thousands of forms and find fulfilment in carrying out the specific social function for which they have been brought up: specialisation is the essence of Selenite society. « With knowledge the Selenites grew and changed; mankind stored their knowledge about them and remained brutes—equipped, » remarks the Grand Lunar, when he finally meets Cavor and hears about life on Earth. Unfortunately, Cavor reveals humanity’s propensity for war; the lunar leader and those listening to the interview are « stricken with amazement ». Bedford infers that it is for this reason that Cavor has been prevented from further broadcasting to Earth. Cavor’s transmissions are cut off as he is trying to describe how to make cavorite. His final fate is unknown, but Bedford is sure that « we shall never… receive another message from the moon ».

There are a few underlying themes relating to contemporary concerns.

The ordered society of the Selenites is a system without individual freedoms and rights. The insectlike form of the lunar beings highlights this. It gives them a monstrous quality. Bedford fights against the system. But he chooses for his own selfish reasons to steal gold and come back for more. Cavor is fascinated by what he sees. Yet he is prepared only to observe, not to take part. Wells uses the term “citizens” for the Selenites. In reality they are conditioned from birth to perform their preassigned tasks. This is a nightmarish vision of economic conditions in a developed capitalist system. And Bedford typifies the acquisitive capitalist, who irresponsibly pursues gain. (hide spoiler)]

Une aventure d’écolier amusante recommandée au début du 20e siècle.



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