why film soundtracks are increasingly successful in symphonic versions

A few notes and a recognizable theme among a thousand. That of the famous agent 007. “It gives chills, a little goosebumps and then we still have the music in mind”, says a spectator. That evening, at the Grand Rex in Paris, a symphony orchestra recounts, film by film, the 60th anniversary of the James Bond saga. No image, only music, iconic. Film music that has nothing to envy to classical music. A vocal challenge for singer Prisca Demarez, who interprets these planetary hits. “These film scores were worn by Shirley Bassey, Tina Turner, Adele. It’s extremely difficult and the public expects this power”.

A 1.5 million euro tour

Power and headliners. Harry Potter, The Lord of the Rings or La La Land. Over the past ten years, these concerts have multiplied. Movies and cartoons, like the superstar dragonball, at the Zenith of Strasbourg. For each performance, a symphony orchestra, nearly a hundred people mobilized and a substantial budget. 1.5 million euros for the tour james bond symphonic. With places sold on average 60 euros, the balance is fragile. But the success is there. Unconditional fans, strong licenses and unforgettable hits. Film scores have won their place in concert halls.