“Tusarnitut! » Inuit music

This text is part of the special section Museums

Exploring the musical traditions of the circumpolar regions and their representations in the visual and performing arts: this is the purpose of this exhibition presented at the Montreal Museum of Fine Arts until March 12, 2023.

Through a hundred works by renowned Inuit artists—sculptures, prints, drawings and installations—this exhibition illustrates the crucial role played by music in Inuit culture. The vast corpus of traditional and contemporary works, borrowed from the Inuit of Nunavik, Nunavut, Greenland, Siberia and Alaska, demonstrates that song and dance are intimately linked to the territory (nunaat).

Throat songs

From the music of circumpolar peoples, the knowledge of non-Inuit (Qallunaat) hardly goes beyond the astonishing throat singing performed by the women of Nunavik. “These musical performances are sung by modulating four sounds, emitted while exhaling or inhaling, and with the mouth open or closed”, explains musicologist Jean-Jacques Nattiez, author of a reference book on the subject. This song is traditionally performed by two women face to face, according to a staggered framework on which is superimposed a break in rhythms and sounds. “At one point, one of the singers changes the motif and the other has to adapt hers to stay in phase; it’s very complex and the performers are true virtuosos,” adds this professor emeritus of musicology at the Université de Montréal.

Song and shamanism

Through the exhibition Tusarnitut! The music that comes from the cold, the visitor learns that this throat singing is extremely old; it was already practiced by the Chukchi people of Siberia, 8000 kilometers from the Inuit territory of North America, whose last passage through the Bering Strait is estimated at least 1000 years ago. By settling in North America, they brought elements of Asian Arctic culture, including throat singing. “This traditional song therefore dates back at least 1,000 years, says Jean-Jacques Nattiez, which makes it the oldest form of Canadian music. By compiling archival documents and soundtracks from the 1970s, the ethnomusicologist and his team of researchers have managed to establish that these sounds, imitating animal cries, are incantations addressed to animals so that they agree to be caught by hunters. Hence their link with shamanism.

Interaction of spirits

One of the common threads of the exhibition refers to this close relationship between Inuit music and shamanism. But throat singing is not the only illustration of this. “Drum dancing, practiced from Siberia to Greenland, via Nunavut, is also used to act on the soul of animals,” says Jean-Jacques Nattiez. A few sculptures of dancing bears and walruses drumming illustrate the notion of “transformation” which leads shamans to mutate into animals and animals into human beings. Videos of shaman chants are also part of the collection of Tusarnitut! A music that Jean-Jacques Nattiez qualifies as “survival music”, because it is intrinsically associated with nature, in particular with the spirit of animals.

In contact with the Western world, the musical universe of the Inuit allowed itself to be penetrated by the music of the Qallunaat : folk, pop, rock and hip-hop. It remains Inuit, sung in Inuktitut, even if it fuses traditional sounds with those of modern music. Recordings accessible by QR code also allow you to listen to some excerpts. This penetration even goes back to the time of the Christianization of the North: a very beautiful print in the exhibition shows Inuits playing the accordion and others converted into fiddlers.

The theme of circularity

Visitors can also admire an engraving illustrating an igloo in which nuns are seated in a circle. The circle is one of the symbolic representations of Inuit culture. The scenographer Laurence Boutin Laperrière had the idea of ​​installing in a central space panels in a circle whose shape refers to that of the igloo and the drum. Five drum models from Siberia to Greenland are on display, including an oversized one that evokes the central place that the drum occupies in Inuit culture.

“The music that comes from the cold. Arts, songs and dances of the Inuit »

This special content was produced by the Special Publications team of the To have to, pertaining to marketing. The drafting of To have to did not take part.

To see in video


source site-44