Towards a bright future | For the love of cinema





A well-known director, Giovanni is making a period film about the Italian Communist Party. Between his relationship in crisis, his bankrupt producer and his daughter who abandons him, everything seems to be working against him. The filmmaker will have to get closer to his family to move towards a bright future.



Nanni Moretti’s new film has the effect of a beautiful and warm reunion with an old comrade. Both funny and melancholic, joyful and nostalgic, Towards a bright future is first and foremost a plea for the magic (and survival) of auteur cinema. An art that the Italian director sees as the ultimate utopia of our crazy century.

Twenty years later Personal diary, prize for directing at the Cannes Film Festival, in 1994, Moretti returned to his favorite genre, autofiction. At 70, he has not lost his verve, in this satire which is also intended to be an object of resistance to the omnipotence of blockbusters, algorithms and platforms.

A gruff and egocentric character, but also endearing, Giovanni, Moretti’s alter ego, takes refuge in a comforting past with a feature film project on the Italian Communist Party in 1956 (Silvio Orlando, one of the actors in the film in the film, is wonderful). Obviously more comfortable in the past and fiction than in the present and reality, the filmmaker refuses to see the crisis his couple is going through (superb Margherita Buy who plays his wife and producer).

Towards a bright future criticizes current society and the commercialization of cinema with platforms like Netflix. Moretti pays tribute to 8 1/2 And FelliniThe Swimmer And to the films of Cassavetes and Kieślowski. We could criticize him for his nostalgia for a time that moviegoers under the age of 20 don’t want to know… But the director knows how to offer luminous twists and turns; his vision of art and life remains hopeful.

There are several memorable scenes in Towards a bright future. Giovanni’s meeting with Netflix “executives” who, in a newspeak that is both absurd and disturbing, give him advice on cinema. The scene where he rides on an electric scooter through the streets of Rome, with his producer (Mathieu Amalric); the one where Moretti begins the hit song Sono Solo Parole, first solo, then as a duo, then in chorus with his film crew. Ending with a vibrant ENGINE! As if to remind us that cinema is images, sound and light, but also action!

Presented in the original Italian version, with French or English subtitles

Il Sol dell'avvenire (VF: Towards a bright future)

Drama

The ground of the future (VF: Towards a bright future)

Nanni Moretti

With Nanni Moretti, Margherita Buy, Mathieu Amalric

1:36 a.m.
Indoors

8.5/10


source site-57