Who can resist Virginie Efira? The Venice Film Festival is under the spell of the talented Belgian actress who has come to defend the new feature film by filmmaker Rebecca Zlotowksi, in which she co-stars with Roschdy Zem. The latter also posed during the photo call with his partner and the film crew which is in the official selection of the festival chaired this year by Julianne Moore. Among his colleagues, we note the presence of Yamée Couture, actress and singer who is none other than the daughter of CharlÉlie Couture. She is part of a family of artists since she is the sister of director Shaan Couture and the niece of Tom Novembre.
Casual and chic with beige shorts, a black top and a Saint-Laurent handbag, elegant and divine in a little black dress during the photo call and ultra-glamorous in a long carmine red velvet dress, Virginie Efira never ceased to shine during the day of September 4 as part of the 79th Venice Film Festival. As adored for her acting skills as her dazzling charisma, the Belgian caused a sensation in front of festival-goers with her peers like the adorable Callie Ferreira who plays someone else’s child.
Other people’s children allows him to slip into the skin of Rachel, a forty-year-old and a good teacher in her sneakers. When she meets Ali, it’s mad love and she also takes a liking to the latter’s daughter. Very close to the little girl, she sees her story waver when she tries to find her place as a mother-in-law because “loving other people’s children is a risk worth taking…“Mother of a girl named Ali (9 years old) born of her relationship with Mabrouk El Mechri, the companion of Niels Schneider has slipped wonderfully into her character born of the reflections of Rebecca Zlotwoski.
The director ofAn easy girl and Planetarium tells the existential doubts of a woman of her time and in the face of time. But the source of his project was very different at the base. She originally got down to adapting a novel by Romain Gary, Beyond this limit your ticket is no longer valid, devoted to the impotence of a man at the dawn of his sixty years. Roschdy Zem was to play the main role. But the director and screenwriter found herself in trouble: “Not that I couldn’t project myself into this man who could no longer get a hard-on or was afraid of no longer… But perhaps because I projected myself into it too much. And gradually my own impotence appeared to me, that of a 40-year-old woman without children who wants one and partly raises those of another, those of another.“