scenographic references to the “Speech of a King” and to the appeal of June 18

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Head bent, studious, like the applied students of the images of Épinal, Eric Zemmour appeared in a video of ten minutes to formalize his candidacy for the presidential election. With a decor set for the occasion, he summons the imagination of the library of old books of Georges Pompidou, the antique microphone of the call of June 18 of General de Gaulle, and reads its sheets, one by one, without teleprompter. The candidate deploys his speech, against the background of the second movement of Beethoven’s 7th Symphony, a cinematographic evocation Speech of a King, by Tom Hooper, released in 2010, in which George VI overcomes a pathological stutter to address the English nation as the country enters World War II. In this sequence, the king’s speech, uncertain at its beginning, is supported by the same notes of Beethoven, and becomes more assured.

TO As he unfolds his speech and the German composer’s score is played, Éric Zemmour, almost erased at the start of the sequence, takes on a more confident tone, evoking the France of “nuclear center”, “Concorde”, and in addressing “internal exiles”. In a musically darker moment, he waves the specter of the “gender theory” and of “Islamogauchism”. He has since raised his head and his speech is clearer.

The video, interspersed with images of violence in France or historical archives, also allows the now presidential candidate to address the French who “feel foreign” in their “own country”, “so that our daughters are not veiled and our sons are not submissive”, he said. The writing of the Lesjours.fr site indicated on Tuesday that Gaumont, but also the journalist Clément Lanot, had come forward by reserving the right to file a complaint against the candidate’s team, due to the use of images “without the agreement of the authors “, according to Lesjours.fr.


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