An unsettling incident at school prompts parents of Armand and Jon to confront conflicting narratives. “The Convocation,” directed by Halfdan Ullmann Tøndel and awarded the Golden Camera at Cannes, explores the complexities of parenthood and the education system. As Elisabeth defends her son against assault accusations, tensions rise with Sarah, Jon’s mother. Through a gripping narrative and sharp critique of educational institutions, the film raises questions about accountability and truth, hitting theaters on March 12.
The School Incident
When an alarming event takes place at school, the administration promptly calls upon the parents of young Armand and Jon. As they gather, confusion reigns as the children’s versions of events fail to align, leaving the adults grappling with uncertainty.
Recognized with the Golden Camera at the recent Cannes Film Festival, “The Convocation” marks the debut feature of Norwegian director Halfdan Ullmann Tøndel. With its striking visuals and palpable tension, this riveting drama thrives on its complex characters. Audiences will delve into the layers of these individuals, from the parents to the school staff, revealing their hidden truths when the film hits theaters on March 12.
A Clash of Leading Actresses
While “The Convocation” showcases Halfdan Ullmann Tøndel’s directorial talents, it also reinforces actress Renate Reinsve’s prowess. Her return to the Cannes Film Festival comes nearly three years after her acclaimed performance in “Julie (in 12 chapters),” which earned her the coveted Best Actress title. In this latest film, Reinsve delivers a stunning portrayal that masterfully balances elements of manipulation and vulnerability.
In “The Convocation,” Renate Reinsve takes on the role of Elisabeth, the mother of Armand. When her son faces accusations of assault from a classmate, she is summoned by the school’s staff and must confront the parents of the alleged victim. A web of deception unfolds as the characters find themselves intertwined by past events. Can Elisabeth prove her son’s innocence?
Opposing her is Sarah, the mother of Jon, the child reportedly assaulted by Armand. Fueled by her desire to protect her son, Sarah’s determination raises questions about her true priorities. Old conflicts surface between her and Elisabeth, transforming the children’s dispute into a battle of the adults.
The role of Sarah is portrayed by Ellen Dorrit Petersen, who brings depth to a character that initially appears unsympathetic. This choice was clear to the director, who praised her talent: “Ellen is one of the best Norwegian actresses, and her ability is undeniable. During casting, I sensed that Ellen was not only open and curious but also brave, with a fascinating chemistry with Renate that ultimately swayed my decision.”
Having previously distinguished herself in the “Un Certain Regard” category at Cannes in 2021 for “The Innocents,” Ellen’s new role alongside Renate Reinsve adds even more intrigue to her performance, rich with complexities and emotional depth.
However, the tension extends beyond these two mothers, as the school staff attempts to facilitate communication between them. But do they truly have the best interests of the families at heart?
A Critical Look at the Education System
Throughout the discussions among the parents, the teaching staff acts as intermediaries. Among them is the young teacher Sunna (Thea Lambrechts Vaulen) and the principal Jarle (Øystein Røger), but soon their confident demeanor gives way to reveal systemic flaws.
Sunna, who teaches Jon and Armand, genuinely strives to help despite her inexperience and the immense pressure from her administration. However, as she was not a direct witness to the incident, can Elisabeth, Sarah, and Anders truly rely on her judgment?
Jarle, the seasoned principal, is more focused on preserving the school’s reputation than seeking the truth, even if that means bending the facts. His own health issues further cloud his ability to lead effectively.
These characters symbolize a strained and overwhelmed educational system, struggling to fulfill their roles as mediators and to uncover the truth behind the disturbing incident.
Halfdan Ullmann Tøndel comments on this inability to act decisively: “The state’s significant role in managing the country is a positive aspect, but it can make individual initiative and accountability more challenging, especially within public institutions.”
He adds, “When we lack clear documentation or guidelines, uncertainty reigns. Consequently, any deviation from the norm in schools, hospitals, or social services can escalate into a major issue, relying on individuals brave enough to make decisions.”
Combining a gripping narrative with sharp satire on the educational system, “The Convocation” is set to captivate audiences in theaters starting March 12.