Supported by a piano, a few strings, a choir, Marcia Higelin sings of its singularity, its audacity, its freedom.
With her first EP “Prince de Plomb”, Marcia Higelin takes us through her intimate storm, her loneliness, her confusion, her anger. His dreams too. Welcoming one’s suffering as she does here means becoming worthy of living it in order to get rid of it better.
Marcia Higelin consumes all the better its break with the constraints of musical formatting that her songs testify to an emotional dependence from which she finally freed herself. Not without harm. If to love is to live, but also to suffer, then Marcia proves that she is very much alive.