We will say that Demain Déluge is the first foray of Tire le Coyote (Benoit Piette) into the world of ambient music, but it is above all the new instrumental excursion of his collaborator Marc-André Landry, who has already made it experience (with Tsuki Mauro, in particular). It was he, we guess, who attracted Piette into these shifting sands of sound; the duo had first worked on music for images, so there was only one step to take to deliver a first full album. We will listen to it as a study of timbres and sound textures to which simple bass patterns cling and the sound, distant and confused, of a saxophone or a clarinet, all that is not clear. Demain Déluge praises slowness with its static compositions giving pride of place to the gurgling of synthesizers, but managing to conceal the contribution of the computer to the whole, more organic than electronic. Favorite for the long and diaphanous Malarticsoothing contrast with the funeral march Personify a rock.
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