(Paris) After the monumental dresses inspired by Roman sculptures, the British designer of Fendi, Kim Jones, opted for the purity of the lines, the lightness and the transparency for the collection presented Thursday, at the last day of haute couture in Paris.
Posted at 3:13 p.m.
“This season, I wanted to leave Rome”, underlines the creator in the note of the parade which takes place in a white staging at the Palais Brongniart in Paris.
Kyoto “is the starting point for this collection”, having inspired long, close-fitting dresses with asymmetrically assembled silk panels.
King of “tailoring” (structured tailor-like cuts), Kim Jones, who is also a stylist for men’s collections at Dior, brings a masculine touch here with caramel-coloured suits that open the show.
The little shimmering “cage” dresses are a nod to Parisian architecture.
PHOTO CHRISTOPHE ARCHAMBAULT, AGENCE FRANCE-PRESSE
The palette is discreet with a lot of flesh color which only underlines the effect of nudity and the finesse of the embroidery.
Embroidered tulle dresses are ethereal and transparent.
The palette is discreet with a lot of flesh color which only underlines the effect of nudity and the finesse of the embroidery.
Electric yellow, green, pink: bright colors are used for long evening dresses with bare backs.
PHOTO CHRISTOPHE ARCHAMBAULT, AGENCE FRANCE-PRESSE
Electric yellow, green, pink: bright colors are used for long evening dresses with bare backs.
On the occasion of haute couture week, Fendi also unveiled the house’s first high jewelry models designed by artistic director of jewelry, Delfina Delettrez Fendi.
An ode to the heritage of the Roman house, the adornment made of white and yellow diamonds exudes light and optimism, just like the clothes.
The inverted FF monogram, designed by Karl Lagerfeld in 1965, emerges in a flash of natural yellow diamonds in each design.