The magnetism of Emilie Kahn’s third album commands admiration. Maybe is thus a very pretty set of pop songs with an enchanting atmosphere, between the almost whispered voice of its singer-songwriter, her delicate harp chords and the modernity of the arrangements. Each title, no matter how sweet and comforting it sounds, is always catchier than the previous one and leaves its mark on our heads endlessly. “ What’s wrong with me? / Can’t stop watching all of your videos / Wash, rinse, repeat / If you could only see in my search history. » These few words, for example, can randomly pop into our minds and we find ourselves humming the pieces of Maybe endlessly. The record is all the more remarkable because the Montreal artist does not seek to seduce her audience at all costs. On the contrary, her words demonstrate a vulnerability that Emilie Kahn exposes without pretense. The authenticity of emotions and the experience of existence is sufficient here in itself.
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