Life, the city | Behind the walls of Château Dufresne

Our journalist travels around Greater Montreal to talk about people, events or places that make the heart of their neighborhood beat.




“Château Dufresne is the only significant secular work by Guido Nincheri that still exists in Canada,” underlines general director and curator Manon Lapointe.

There are several of us who have often passed by Château Dufresne without ever having visited it. Behind its imposing facade, the walls bear the artistic heritage of Guido Nincheri, who was nicknamed the Michelangelo of Quebec.

We owe Guido Nincheri and the members of his team nearly 5,000 glass roofs in 250 places of worship. A staggering production.

Manon Lapointe, general director and curator

His work can be admired at the Saint-Léon de Westmount and Saint-Esprit de Rosemont churches, while people are highlighting his frescoes at the Sainte-Madeleine church in Outremont.⁠1. But he didn’t just make religious art. The exhibition From the profane to the sacred, presented until June 30, allows you to discover his rich contribution to Château Dufresne.

PHOTO ROBERT SKINNER, THE PRESS

Manon Lapointe, general director and curator of Château Dufresne, in front of a painting by Guido Nincheri

The Dufresnes, the prosperous brothers from the East

It is not for nothing that brothers Marius and Oscar Dufresne called on the services of the Italian-born painter to decorate the walls of their two semi-detached houses located at the corner of Sherbrooke East Street and Pie-IX Boulevard.

Son of a couple who made their fortune in the shoe industry (thanks to the know-how of their mother Victoire Du Sault, as told in the film The Shoemaker and in the books of Pauline Gill), the Dufresne brothers were great visionaries and historical builders of eastern Montreal. Engineer, Marius Dufresne drew the plans for the park and the Maisonneuve market. He was inspired by the Champs-Élysées to create the boulevards Morgan and Pie-IX. More focused on business and politics within the ancient city of Maisonneuve, his brother Oscar donated the land of the Botanical Garden to Marie-Victorin.

PHOTO ROBERT SKINNER, THE PRESS

The Dufresne brothers shaped the city of Maisonneuve, annexed to the City of Montreal in 1918, and gave it prestige. They were inspired by the City Beautiful movement.

The two brothers founded the Dufresne Construction Company and the Dufresne Engineering Company, then they had Château Dufresne built between 1915 and 1918. “They wanted to create a counterweight to the English-speaking bourgeoisie of the Golden Square Mile on Sherbrooke West,” says Manon Lapointe.

The offices of their two companies occupied an Art Deco building at 1832, boulevard Pie-IX. In exchange for decorating Château Dufresne, the Dufresne brothers offered Guido Nincheri space at the back so that the master glassmaker could set up his workshop. The premises are also being renovated with the aim of creating an interpretation center open to the public.

PHOTO ROBERT SKINNER, THE PRESS

The architectural contrast is striking with the Olympic Stadium next door.

“The Dufresnes are responsible for the construction of bridges and dams,” adds Manon Lapointe. Marius also died when he was hit by a beam on the construction site of the bridge which connects Laval and Rosemère and which today bears his name.

Reminder of the facts: when the fathers of Sainte-Croix acquired the Château Dufresne in 1948 to make it a pavilion for their college, they had the numerous Nincheri frescoes containing nudity covered up, so that the young boys in day school would not be not distracted.

“It was by mutual agreement with Nincheri,” explains M.me The point. It was a compromise to use water-based paint to make it reversible. »

PHOTO ROBERT SKINNER, THE PRESS

Guido Nincheri was a master glassmaker, painter-decorator and fresco artist.

Rescue at the last minute

Nincheri wanted his nude paintings to be rediscovered, but it was not that simple. In 1957, Château Dufresne was purchased by the City of Montreal. After “a dark period of abandonment and vandalism”, says Mme Lapointe, there was talk of demolishing it with a view to making it a parking lot for the Olympic Games, but the Macdonald Stewart Foundation saved the furniture and the Château was declared a historic monument. It was restored in 1975 by the artist Nicolas Sollogoub, and it was there that works by Nincheri were able to see the light of day again.

Little visit to the Castle

  • Works by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    Works by Guido Nincheri

  • Works by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    Works by Guido Nincheri

  • Canvas by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    Canvas by Guido Nincheri

  • A work by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    A work by Guido Nincheri

  • Canvas by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    Canvas by Guido Nincheri

  • A work by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    A work by Guido Nincheri

  • Canvas by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    Canvas by Guido Nincheri

  • A work by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    A work by Guido Nincheri

  • Works by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    Works by Guido Nincheri

  • A work by Guido Nincheri

    PHOTO ROBERT SKINNER, THE PRESS

    A work by Guido Nincheri

  • Château Dufresne

    PHOTO ROBERT SKINNER, THE PRESS

    Château Dufresne

  • Château Dufresne

    PHOTO ROBERT SKINNER, THE PRESS

    Château Dufresne

  • Château Dufresne

    PHOTO ROBERT SKINNER, THE PRESS

    Château Dufresne

1/13

Another fascinating fact: Nincheri spent the rest of his life in New England, after years of incarceration. He was in fact accused of fascism for having painted Mussolini on horseback at the Notre-Dame-de-la-Defense church, in Little Italy. “You have to know, and this is what his wife Giulia demonstrated, that he was responding to a firm request,” underlines Manon Lapointe. And that was before Mussolini became the dictator we know.

PHOTO FRANÇOIS ROY, LA PRESSE ARCHIVES

Guido Nincheri

The exhibition From profane to sacred offers a new tour of Château Dufresne to discover his invaluable contribution, as well as a temporary section with sketches, original works and a video on his workshop which had around ten employees.

Château Dufresne represents an important part of Montreal’s history. He will celebrate his 50the anniversary as a historical monument in 2026, at the same time as that of the Montreal Olympic Games.


source site-53