Lemay-Thivierge in “the forest of the unloved”

Guillaume Lemay-Thivierge has probably just written another sketch of the bye. The problem is that the tree – the one with the n-word, on which he accidentally fell to make his edifying metaphor about work – is the one that hides the forest. A dense and populated forest which attempts to deconstruct what it took millennia to take root. A forest that can easily catch fire and which certainly doesn’t need fuel to the fire…

The one who undoubtedly fell much too young into the magic potion of stardom now seems to excel in the art of putting one’s foot in one’s mouth and repenting of it. And what a bad episode Masked singers than to see him squander the little credibility he has left by swearing this time on his children’s heads that he acted with the innocence of little Matou. We find ourselves wishing it to finally arrive in 2024 and quickly put our finger on what is increasingly resembling a pattern. A classic pattern of self-sabotage, which each time brings up old prejudices in its wake, which splashes everyone and its opposite, which sets us back a hundred years.

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