Jean-Pierre Ferland 1934-2024 | Claude Rajotte’s Perfect Notes

In 1995, Claude Rajotte awarded a score of 10 out of 10 to Don’t listen to that by Jean-Pierre Ferland. The legendary VJ talks about his admiration for the little king, one of only five Quebec artists to have been awarded a perfect score in the entire history of CD Graveyard.




Claude Rajotte generally hates the rearview mirror. When the rolling news channels call him to comment on the death of a star he has already interviewed, and there are many, the former headliner of MusiquePlus prefers to direct them to his colleague at the time, Mike Gauthier.

The music that resonates in his home, making the floor shake? Few old things. The critic of critics alternates mainly between drum and bass, dubstep and hardstyle.

“A quick note here to tell you that I am also saddened by the death of Jean-Pierre Ferland,” he wrote on social media on April 28, the day after the giant’s death, one of his rare testimonies of the kind.

He also recalled the filming of a Christmas show at Ferland’s in Saint-Norbert in 1995. “We were given royal treatment,” he wrote.

[Jean-Pierre Ferland] fed us all day long as if we were his children. He gave 100%. I had never met an artist of such great generosity.

Claude Rajotte, on his social networks, recalling a visit to Ferland in 1995

“Before we left, he even gave us a joint from his stock,” Claude adds with a laugh, sitting at a table at home not far from his CD collection, which he has not yet sent to the cemetery. “I felt like I was in a dream.”

PHOTO CHARLES WILLIAM PELLETIER, SPECIAL COLLABORATION

Claude Rajotte and his CD collection

So listen to this

A few months before this shoot, Claude Rajotte had awarded a perfect score of 10 out of 10 to Don’t listen to thatFerland’s comeback album. A little too young to experience the fever YELLOW (1970) In real time, the presenter born in 1955 would establish a real relationship with the work of his friend JP from his record The Virgins of Quebec (1974).

“The making of this album was different,” he observes, “the drums sounded like a ton of bricks and even if I’m not a fan of lyrics, these told us something important: that we don’t have to live our father’s life.”

But by the 1980s, Rajotte had lost touch with Ferland a bit. “And I think he had lost touch with himself a bit too,” adds the legendary VJ, recalling the decade during which the singer-songwriter devoted much of his time to television hosting.


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