The Board of Trustees of the National Gallery of Canada and the Minister of Canadian Heritage, Pablo Rodriguez, seem to have resolved the squaring of the circle by appointing Jean-François Bélisle to head the NGC. It comes at a pivotal moment in the museum’s history, which took a bittersweet turn last November when its board fired Deputy Director and Chief Curator Kitty Scott, the curator of art Indigenous Greg Hill, Director of Conservation and Technical Research Stephen Gritt and Senior Communications Manager Denise Siele. Dismissals that had worried the visual arts community and Minister Rodriguez.
PHOTO ROBERT SKINNER, LA PRESSE ARCHIVES
The National Gallery of Canada in Ottawa
The transformation of the NGC put forward a desire to take into consideration “the Aboriginal way of thinking” in the management and programming of the museum. Teeth gritted. The arrival of Jean-François Bélisle at the reins of the museum should allow the establishment to apply its program which gives a different and increased place to natives and social minorities, without however making a clean sweep of the past.
PHOTO PROVIDED BY THE JOLIETTE ART MUSEUM
François Bélisle last January
Holder of a bachelor’s and a master’s degree in art history from Concordia, Mr. Bélisle could be the providential director for this planned shift in the flagship museum of Canadian visual arts. First, because he brilliantly managed the need to give more space to Aboriginals at the Musée d’art de Joliette.
PHOTO HUGO-SÉBASTIEN AUBERT, LA PRESSE ARCHIVES
The mural Mirwatisiwinby Marie-Claude Néquado, in the schoolchildren’s study room at the Musée d’art de Joliette, last November.
Following the tragic death of Indigenous Joyce Echaquan in Joliette on September 28, 2020, he brought the communities closer together and brought the Anishinaabe director of the Lanaudière Native Friendship Center, Jennifer Brazeau, to the board of directors of the MAJ . And exposed in Joliette a large number of native artists of great value.
The newcomer’s vision
Jean-François Bélisle’s career is atypical. This is also its strength. He has known the world of visual arts from all angles. Son of collector Jean-Denis Bélisle, former Canadian ambassador to several African countries, he is renowned for his broad expertise, his contagious dynamism and his knowledge of the Canadian museum community, having been, since 2021, vice-president of the ‘Organization of Canadian Art Museum Directors, before becoming President last week!
Speaking French, English and Italian, Jean-François Bélisle knows the international art market well. He worked at the Sotheby’s auction house in Geneva, and at the Iegor auction house in Montreal. Among his other professional experiences, he has worked at the Gail and Stephen A. Jarislowski Canadian Art Research Institute in Montreal, at UNESCO in Paris, at the Prince of Asturias Foundation in Oviedo, Spain, as well as at the McCord Museum and the magazine Variable sky.
Director of the Association of Contemporary Art Galleries from 2007 to 2011 and of the Arsenal from 2011 to 2016, he curated a large number of contemporary art exhibitions on the Quebec, Canadian and international scenes. He arrived in April 2016 at the head of the MAJ where he had replaced Annie Gauthier who left to direct the collections at the Musée national des beaux-arts du Québec.
PHOTO EDOUARD PLANTE-FRÉCHETTE, LA PRESSE ARCHIVES
Jean-François Belisle when curating the exhibition science of dreams at Arsenal in 2013
In Ottawa, Jean-François Bélisle wants to pursue the NGC’s current vision and implement his vision of a museum centered on art and artists. “I would like the museum to play a role in society, through its reflections, its choices and the space for dialogue and research that it represents,” he says. I would also like to continue to build bridges at the national level, to ensure that artists from Quebec are known in British Columbia and vice versa. That the institutions, places of exhibitions and places of research collaborate more. We are a great country, but not an international superpower. So creating this abundance at the national level should help us stand out on the international scene. »
PHOTO PROVIDED BY THE NGC
Nigik Makizinan – otter moccasinsa creation by Aboriginal artist Barry Ace presented during the exhibition In badakone | continual firecurated by Greg Hill in 2019
Arriving at the NGC after two unilingual English-speaking general managers, he does not succeed the last French-speaking general manager, Marc Mayer, present in Ottawa from 2009 to 2019. “All past general managers, Sasha Suda, Marc Mayer, Marc Théberge, have brought important bricks to the museum and will all influence my governance,” he says.
Given the internal crisis last winter, Jean-François Bélisle is eager to meet the museum’s teams and “take the pulse of the human health of the institution”. “One of my concerns when I started thinking about this position was how, as a white male, I would be received,” he says. But I must say that I have always been unifying and open. It comes to me perhaps from my experiences abroad. My first wish is that the museum be open to everyone. »
PHOTO PROVIDED BY THE NGC
Barcelona, 2003 – 2021, Geneviève Cadieux, installation at the National Gallery of Canada, 2021.
Jean-François Bélisle will miss the MAJ. He is proud of what he has accomplished there, particularly from the community point of view and the societal issues that have been addressed in the various exhibitions under his direction. “I enjoyed mixing Indigenous art with non-Indigenous art and recontextualizing pieces like the Prakash collection,” he says. It is important from a social point of view. In 2018, we did an exhibition on artificial intelligence with the British Mat Chivers when we were not yet talking about AI. And I’m also proud of Kapwani Kipanga’s first major exhibition, which will represent Canada in Venice next year! »
reactions
Pierre Trahan, co-founder of Arsenal Contemporary Art: “Jean-François is the ideal candidate for this job. Not only does his track record bear witness to his successes, but he also has an unparalleled charisma and interpersonal skills to attract the necessary traffic from all sought-after backgrounds and to restore full life and dignity to this museum. »
Michael Audain, businessman, patron, collector, founder of the Audain Art Museum in Whistler, BC: “This is great news. Jean-François will have the enormous task of restoring its reputation for excellence to the National Gallery of Canada. And I think he has both the determination and the experience to pull it off. »
Nathalie Bondil, Director of the Museum and Exhibitions at the Institut du monde arabe, in Paris, and former Director General of the Montreal Museum of Fine Arts: “It’s an excellent choice for the NGC with an experienced person , and more French-speaking! »
Who is Jean-Francois Belisle
- He holds a bachelor’s and master’s degree in art history from Concordia University.
- Her master’s thesis focused on the international reception of exhibitions presented in the Canada Pavilion at the Venice Biennale from 1986 to 2005.
- He worked at Sotheby’s auction house in Geneva
- He was executive director of the Association of Contemporary Art Galleries from 2007 to 2011
- Director of Arsenal Contemporary Art from 2011 to 2016, then Director General and Chief Curator of the Musée d’art de Joliette, from 2016 to 2023.
- He has organized more than a hundred exhibitions and art projects in Canada, the United States, Europe and China