The 7th art initiation program reaches out to dozens of young people all over France. It is starting its fifth season.
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A short 90-second film to get your foot in the door. This is what Filme l’avenir is offering to young people who want to make a career in cinema. The summer tour of the fifth edition started on Thursday, July 4 at Point Fort, a major cultural space in Aubervilliers. This training in the 7th art, organized by the association of comedian Jamel Debbouze and designed by Aurélie Cardin, is taking place in twenty-three other events throughout France until August 20. For two days, at each stopover, young people aged 16 to 30 can try their hand at their dreams : practice cinema professions as part of initial training or professional reorientation.
The training for the thirty participants consists of making a collective 90-second film with a mobile phone under the guidance of a professional. The common thread of this year : “Let’s get moving “. A leitmotif “in connection with the great national cause of sport”says Aurélie Cardin. More than a nod to the Paris Games, it is a hymn to movement in both art and everyday life. “It’s also a metaphor for what we do. We’re pushing the boundaries, we’re fighting stereotypes,” continues Aurélie Cardin. “Filme l’avenir” makes an industry known for being elitist more accessible in working-class neighborhoods and the countryside, from Mamoudzou (Mayotte) to Blaye (Gironde) via Marseille. “Lpolitical atmosphere [devenue plus électrique avec les élections législatives 2024] makes us want to do this tour even more.” This last one relies on the network of associations in each host locality.
The young people are supervised by personalities who, a few years ago, were neophytes like them. They were revealed by “Talents en court” by Jamel Debbouze’s Comedy Club. A “springboard”, which has existed since 2012, where talents come to pitch their 15-minute shorts on the Comedy Club stage. “They are self-taught, people who were not part of the establishment and who became cinema professionals”explains Aurélie Cardin, in charge of the initiative.
Among them, the filmmaker Maïmouna Doucouré who won the César for short film for Mom(s) in 2017. Recently, the director of Cute was a member of the Un Certain Regard jury at the Cannes Film Festival. “Talents en court” also allowed us to discover Nora El Hourch who signed HLM Pussy or Steve Achiepo, the film’s director The Sandman. Josza Anjembe, who directed the short film The blue white red of my hair is also a revelation of this springboard. “Around twenty Talents en Court were selected for the Césars”notes Aurélie Cardin. Today, these seasoned professionals “are keen to pass on their knowledge”. “They have a pedagogical approach and are demanding in their cinematographic approach. They want to give their students the desire to go further”. Twenty four “nuggets” of “springboard” will join the tour.
For apprentices, the first day of training begins with testimonials from “Inspirational personalities” invited for the occasion. Shaima Kolli, European champion of qwankido (martial art), Ayoub Marceau, stand-up comedian of the Comedy Club and former high-level athlete, as well as the sociologist Akim Oualhaci, himself a boxer, accompany the first session in Aubervilliers.
The organizers hope that “the anecdotes and the journey of those who come to meet the young people” will provide material for their films. In Aubervilliers, “Students have access to the Zingaro space [théâtre équestre de Bartabas] where there are about fifty horses”a potential setting for their works. Just like the studio of the sculptor Rachid Kimoune“originally from Aubervilliers and known worldwide for his monumental works”.
The first morning continues with the discovery of an educational kit. “We explain what a film is, a short film, how it is constructed, what dramaturgy is, the initial situation, the trigger, the climax, the resolution… We try to give them the keys so that they understand the terms used by their supervisors and that they manage to make a hard-hitting film.”. After the explanations, practical work around 90-second shorts already produced.
By the end of the morning, the groups are formed. Each professional is in charge of a team of five people. The writing phase then begins. The different teams work on their pitches in the afternoon after being introduced to the codes of cinema. At the end of this first day, the tasks are divided up within each team under the supervision of the supervisor. The second day is dedicated to filming, then to editing, which is done collectively. The films are screened at 5 p.m. “Participants are never in a passive position, points out Aurélie Cardin. We give pride of place to their imaginations and their ideas. We encourage them to put them into shape, in the most spectacular, sensitive and poetic way possible.”
In total, 70 films will be produced. Around sixty will be broadcast by France.tv Slash, the France Télévisions group channel dedicated to young adults. The broadcast is an additional validation for these apprentices. To continue their initiation, they are also invited to participate in “Talents en Court” by the Comedy Club, which is held once a month.
Following the tour, a masterclass is being organized at the premises of France Télévisions, a partner of the initiative. On November 15, twenty films from the training will be screened as part of the Cinébanlieue festival created by Aurélie Cardin. For those who were unable to participate in the tour, a national competition is open until September 30 to welcome their 90-second works. Some will also be selected and broadcast during the Cinébanlieue festival in November.
Democratize access to cinema, “it’s our vocation”, insists Aurélie Cardin. “This is a sector where we are going to employ a lot of people. It is not necessary that only students whose parents can afford private schools at 10 000 euros per year, can access it because industry is a source of jobs. And in the neighborhoods and rural areas, we need work,” underlines Aurélie Cardin.
Since 2020, “Filme l’avenir” has trained more than 2,000 young people in 73 cities and they have shot 350 films. “Some entered the CinéFabrique in Lyon, a free school very open to profiles, others to Femis or INA, says Aurélie Cardin. Others have trained on the job and work for productions.”.