Internet users amazed by her resemblance to Claudia Cardinale!

Are we going to be entitled to a remake of the film in which Brigitte Bardot and Claudia Cardinale gave the reply in 1971? We are still far from it but it seems that Laëtitia Milot is ready to take up the challenge. Indeed, Badri’s companion, who has suffered from a disabling illness since a newcomer came to enlarge the family, posted a sublime shot on her Instagram account a few hours ago where she appeared with a cowboy hat. screwed on the head, an XXL neckline and a rifle in the hands. However, no new projects underway. Simply a “moment” of pleasure taken by the actress who made herself known in More beautiful life.

“And here I am humbly slipping into the skin of the great and talented Claudia Cardinale in the film “Les Pétroleuses”, the moment of a photo taken by the brilliant @sachagoldberger… A big thank you to the whole team!”, she wrote in the caption of the disturbing cliché. Disturbing in particular because of the striking resemblance of Laetitia Milot with the actress she wanted to imitate. And that, Internet users have indeed noticed.

Laëtitia Milot, or Claudia Cardinale?

“It looks like Claudia Cardinale in Les Pétroleuses with Brigitte Bardot”, “Seen the reference photo and, indeed, there is something deeply intense and luminous in common”, “Superb photo. Strange to have often had these similarities in mind between you and this great Italian-Tunisian actress, without really wanting you to assume such an illustrious comparison, and here you are doing this photo shoot…”, have declared some in particular by discovering a Laëtitia Milot transformed but always so sublime.

Who knows, maybe this photo shoot could give ideas to a director wanting to follow in Christian Jacque’s footsteps. Because yes, the one who gave life to this film and allowed Brigitte Bardot and Claudia Cardinale to play in the same feature film is unfortunately no longer in this world since July 8, 1994. Date on which he died in the age of 89.

See also: “Badri has left the marital home”, Laëtitia Milot evokes the impossibility for her companion to stay by her side for health reasons

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