“group shot” for African writers

The Nobel, the Booker Prize and the Goncourt: in 2021, major literary prizes were won by African writers. This illustrates the recognition of an African literature in phase with the questions of our time. “We are witnessing a revival of the attention of the European literary world towards Africa”, Xavier Garnier, professor of French-speaking African literature and Swahili at Sorbonne Nouvelle University, told AFP. a “group shot of European prizes” which he qualifies as “striking”.

Prestigious award

African writers are historically under-represented in international charts. This year, however, they are the ones who are winning the day. The Senegalese Mohamed Mbougar Sarr became at the age of 31 the first writer from sub-Saharan Africa to win on Wednesday October 3 the Goncourt, Grail of French letters, for his novel The most secret memory of men. On the same day, South African Damon Galgut won the Booker Prize, the most popular award for novels written in English. And the Nobel Prize for Literature was awarded this year to Tanzanian Abdulrazak Gurnah. The list doesn’t end there : the International Booker Prize crowned the Franco-Senegalese David Diop, the very prestigious Neustadt Prize was awarded to Senegalese Boubacar Boris Diop and the Camoes Prize (which rewards a Portuguese-speaking author) to the Mozambican Paulina Chiziane. Distinctions that salute the “revival of African literature observed over the past ten years”, abounds with AFP Boniface Mongo-Mboussa, doctor in comparative literature.

Ecology and afrofuturism

A literature created by “more and more professional writers”, “which was not the case with our elders”, according to Boniface Mongo-Mboussa who also underlines “the arrival on stage of women” : Tsitsi Dangarembga (Zimbabwe), Paulina Chiziane (Mozambique) or Chimamanda Ngozi Adichie (Nigeria) already awarded several prestigious prizes. The themes discussed have also changed, points out Mongo-Mboussa, also literary critic. Mohamed Mbougar Sarr “chose to talk about literature” in his award-winning novel, thus adopting “a form of distancing” with the more usual subjects of African novels “who spoke for example of violence, war, child soldiers”. Gender, homosexuality, ecology, feminism, Afrofuturism (current of science fiction) have thus made their appearance in African literary productions.

Evolution

“It is from the African continent that we are realizing the great dangers (social, ecological, political, Editor’s note) that threaten us “, says Xavier Garnier. The 50s and 60s were also “moments of recognition of African literature“, but above all as “politico-literary phenomenon”, as for example with Léopold Sédar Senghor, writer, poet and first president of Senegal, he adds. An evolution also driven by the creation of publishing houses in Africa, the proliferation of literary reviews on the continent or the appearance of literary prizes devoted to African literature, notes Claire Ducournau, sociologist of literature at Paul University. -Valéry from Montpellier. “A lot of things have been changing over the past ten years”, declares to AFP the researcher who has studied the recognition of French-speaking African authors over several decades.

Swahili and Wolof

However, in the French-speaking world, the distinction between French-speaking and French literature remains, notes Boniface Mongo-Mboussa. Several African writers have won the Renaudot, another major French literary prize, and the Franco-Congolese novelist Alain Mabanckou has taught at the Collège de France. But French-speaking African writers are still sometimes seen as “the ancient products of the Empire” and not really like full-fledged actors in the literary scene, adds the Doctor of Letters. Anglophone African authors are fully integrated into American and North European literary education, he notes. They also benefit from a more dynamic market and greater visibility by the public or critics.

Of the five African authors who won the Nobel, four are English-speaking (the fifth, the Egyptian Naguib Mahfouz, is Arabic-speaking). And recognition is even more difficult for those who write in Swahili, Wolof or other languages ​​of the African continent.


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