France | Quebec shines in the gardens of the Loire

(Chaumont-sur-Loire) On April 24, the International Garden Festival of the Chaumont-sur-Loire estate, in France, was inaugurated. Guests of honor of this 2024 edition, the Jardins de Métis unveiled Folkloretheir vision of a garden woven into Quebec traditions and looking to the future.




The birds and frogs are shouting despite the rain which turns to drizzle in milder bursts. In this melodious grayness, around thirty new gardens designed by artisans from the four corners of the world illuminate the site. They are so many changing works in an open-air museum.

PHOTO PHILIPPE DEVANNE, GETTY IMAGES

Chaumont-sur-Loire is located in the Loire Valley, France.

The Domaine de Chaumont-sur-Loire is one of those exceptional places which, even in the Loire Valley where world heritage landscapes abound, are in a class of their own. A cultural, artistic and historical meeting place, the site is renewed every year through its international horticultural festival which takes place from April to November.

Since 1992, more than 900 horticultural works, selected mainly by competition, have been presented there. Les Jardins de Métis are among the few guests of honor who have been granted a “green card”.

Expectations are high. Chaumont is an opportunity to showcase Quebec know-how and make a name for itself internationally.

Alexander Reford, director of the Jardins de Métis

Among the thirty new gardens presented in this program with the theme “Garden source of life”, Folklore stands out with a more conceptual creation which offers a reflection on the garden as a cultural construction. Designed by the Jardins de Métis team with landscape architects Luu Nguyen and Émilie Tanguay-Pelchat, the installation addresses tradition in a contemporary and interactive style.

Embroider a garden of the future

PHOTO ERIC SANDER, PROVIDED BY DOMAINE DE CHAUMONT-SUR-LOIRE

From left to right, Alexander Reford, Luu Nguyen, Ève De Garie-Lamanque and Émilie Tanguay-Pelchat

Folklore presents itself: graphic, intriguing, vibrant. Four kilometers of thread woven into large frames make up a colorful weft that evokes arrow, a finger weaving technique classified as Intangible Heritage of Quebec.

The Métis team has been piloting this project for almost a year. “We wanted a vision that took into account the past,” says Ève De Garie-Lamanque, artistic director of the Festival international des Jardins de Métis. In today’s digital and consumer era, we are very much focused on the future. We stopped passing on certain know-how. We feel the need to know who we are and where we come from. »

  • Perspective on Folklore

    PHOTO ERIC SANDER, PROVIDED BY DOMAINE DE CHAUMONT-SUR-LOIRE

    Point of view on Folklore

  • Perspective on Folklore

    PHOTO ERIC SANDER, PROVIDED BY DOMAINE DE CHAUMONT-SUR-LOIRE

    Point of view on Folklore

  • Perspective on Folklore

    PHOTO ERIC SANDER, PROVIDED BY DOMAINE DE CHAUMONT-SUR-LOIRE

    Point of view on Folklore

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The inspiration came from the arrow belt of Elsie Reford, creator of the Jardins de Métis.

“While we were looking for ideas, Alexander [Reford] told us about Elsie’s silk belt, says Luu Nguyen. I was hesitant at first. We all have in mind the Bonhomme Carnaval and the other clichés associated with the arrow sash. But as we did our research, we realized how rich this tradition is. Basically, we know little about her. »

The meeting with the flécherande Yvette Michelin, one of the few to still master this ancestral know-how that she has been teaching for more than 60 years, was decisive. She is also the author of a book on arrowing, in which she describes the technique in landscape language: “She talks about the outward journey, the return journey, diagonals and crossroads. This is walking talk. This is where we came together,” note the landscape architects who transposed this choreography to the garden.

Everyone has their own imaginary belt

PHOTO ERIC SANDER, PROVIDED BY DOMAINE DE CHAUMONT-SUR-LOIRE

Folklore transposes the language of arrows to the garden, with an installation made from recycled materials which embodies a vision of the future that is ecologically, economically and culturally responsible.

From the front, the panels transparently reveal a plant palette that evokes the boreal forest, its undergrowth and clearing plants. Their frame becomes denser when seen from the side. Depending on the observer’s movements, the structures overlap to create a multitude of arrowed belts whose colors recall the white of the snow, the blue of the sky, the red of the autumn foliage, the green of the forest and the yellow flowers of the meadows.

We didn’t want to literally transpose the arrow belt to the garden. The challenge was to represent it dynamically and create a vibrant and kinetic effect.

Émilie Tanguay-Pelchat, landscape architect

The result is a play of colors that changes according to the movements and moments of the season. The belt is constantly reinvented through the eyes of visitors. Everyone leaves with their own in mind. Despite its static structure, the site comes alive during visits. The public experiments with the concept and lends itself to its playful side, playing with shadows, strings and superposition effects.

“We received a lot from Chaumont, which also inspired us when creating our own festival in Métis,” notes the director of the Jardins de Métis Alexander Reford. In a gesture of reciprocity, the team extends the invitation to the Domaine de Chaumont-sur-Loire which will have its own garden in Grand-Métis during the summer, from June 24, to 25e International Festival of Métis Gardens.

This trip was organized in collaboration with Atout France. Part of the costs of this trip were paid by the Val de Loire Regional Tourism Committee and Air Canada, who had no right to review the content of this report.

Visit the Domaine Chaumont-sur-Loire website

Visit the Jardins de Métis website

A little history

Introduced to Quebec by the Ursulines in the 17th centurye century, the arrow has been passed down between generations of women over the centuries. It requires few accessories, but a lot of know-how and time. Weavers carry out their work with one hand, the right, so as to free the other for other tasks. “It just goes to show that we haven’t been multitasking for a long time! », Underlines Luu Nguyen with a laugh.

Worn by French Canadians and the Métis Nation, the arrow belt had several uses, including keeping warm, dressing wounds or carrying loads. First popular with coursers of the woods, then adopted more generally in Lower Canada, it fell out of fashion at the turn of the 20th century.e century before experiencing a brief return in the 1960s. However, it remains alive thanks to certain artisans like Yvette Michelin, who ensured that the word flecherande was included in the Large terminological dictionary of the Office québécois de la langue française.


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