Eight plans for the weekend | Spring is upon us

Spring is fast approaching. And with it, suggestions for cultural outings for all tastes.


Nocturnal variations at Espace Go

Anne-Marie Cadieux, Henri Chassé, Marie-Pier Labrecque and Lyndz Dantiste play opposite each other in the play The night treatment at Espace Go, where the protagonists build plans or worry about a disappearance. Denis Marleau directs this work by Evelyne de la Chenelière. According to journalist Stéphanie Morin, “Evelyne de la Chenelière’s play remains unquestionably a fascinating theatrical object”.

A multidisciplinary work at the McClure Gallery


PHOTO OF THE EXHIBITION FROM THE MCCLURE GALLERY WEBSITE

The McClure Gallery hosts the exhibition Who sings the queer island body ?

The McClure Gallery hosts the exhibition Who sings the queer island body ? by multidisciplinary artist of Mauritian origin Kama La Mackerel. Mixing photography, video, textiles and poetry, the work is a reflection on our relationship to island territories and is partly inspired by the tragedy of the MV Wakashio, a Japanese freighter that ran aground on coral reefs. off the southeast coast of Mauritius, spilling more than 1,000 tonnes of oil into the lagoon.

Lea Carrier, The Press

Eve Côté at the Olympia


PHOTO CHARLES WILLIAM PELLETIER, SPECIAL COLLABORATION

Eve Côté is going on tour in Quebec with her first solo show, Eve side.

Comedian Eve Côté continues the presentation of her first solo show, Eve side at the Olympia in Montreal on March 16, at 8 p.m. The former Grandes Crues offers a tribute to his childhood, a time when his father delivered Vachon cakes. According to journalist Dominic Tardif, “her listing of the various sweet delights marketed by the mythical bakery testifies to what Eve Côté knows how to do best: evoke with tenderness and teasing the warmth of a time of simple happiness and strong ties. among residents of the same city. »

Stage adaptation of Never wipe tears without gloves at the Trident


PHOTO YAN DOUBLET, LE SOLEIL ARCHIVES

Olivier Arteau

Le Trident presents Véronique Côté’s stage adaptation of the Swedish novel Never wipe away tears without gloves,on the topic of AIDS. The staging is by Alexandre Fecteau, who directs an imposing cast of 12 performers, with four musicians. The new artistic director of the company, Olivier Arteau, plays the leading role of Rasmus. At the beginning of the 1980s, Rasmus fled his village and the suffocating family nest to live his homosexuality openly in Stockholm. He will meet, among others, Benjamin (Maxime Beauregard-Martin), son of a family of Jehovah’s Witnesses, and Paul (Maxime Robin), “mad rallying point and mother hen for lost gays”. A poignant story that reminds us of the path traveled by a tried community.

Luc Baker, The Press

Edmond Rostand at the Green Curtain


PHOTO ROBERT SKINNER, THE PRESS

Playwright and actor Gabriel Sabourin dedicates his most recent play to the great Edmond Rostand.

Pif-Glossy traces the life and work of the man behind Cyrano de Bergerac, Edmond Rostand. Olivier Morin plays Edmond Rostand. Roger La Rue plays his father, Marie-Hélène Thibault, the servant Madame LeGuet, and Gabriel Sabourin, her husband. Élodie Grenier and Jean-François Pronovost complete the cast. To see at the Rideau Vert on March 15, 17 and 18, at 8 p.m.

The good and bad sides of technology at the Phi Center


PHOTO ALAIN ROBERGE, THE PRESS

Chun Hua Catherine Dong in Phi in front of her work Meet Me Halfway

The Phi Foundation welcomes within its walls 14 artists who make up the exhibition Terms of use. On the menu: strong, strange, beautiful, inspiring, disturbing or poetic works. On view until July 9. Free admission.

Classicism and contemporaneity at the Mark Liebner gallery


PHOTO PROVIDED BY MARK LEIBNER GALLERY

Centaur (Rob)2022, Daniel Barkley, acrylic on panel, 76 x 50 cm

The Mark Liebner gallery presents, until April 2, the new paintings of Daniel Barkley. An exhibition outside the walls, at 2155 Mackay, in Montreal. With battle scenes reminiscent of the works of the XVIe and XVIIe centuries and the tradition of ancient heroic nudity. As well as portraits coupled with the themes of bicycles and wooden horses. Splendid works mixing classicism and contemporaneity.

Eric Clement, The Press

At the movie theater : Borders





Director Guy Édoin’s fourth fiction feature, Frontières, tells the story of Diane (Pascale Bussières) who feels constantly threatened since a tragic accident occurs in her life. His sisters Carmen (Christine Beaulieu) and Julie (Marilyn Castonguay) will come as reinforcements, along with their mother (Micheline Lanctôt). “Frontières, which takes the form of a thriller nourished by true anecdotes that occurred in the filmmaker’s family, stands out thanks to this way of exploring the notion of territory in all its forms, physical and mental. Marked by a remarkable performance by Pascale Bussières, who here holds one of her finest roles, Frontières adds a fine stone to the singular work that Guy Édoin is building”, mentions the journalist Marc-André Lussier in his review published on March 3


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