From collaborators to enemies
From time to time, the competitive aspect of rap resurfaces. Verbal jousting, at the origin of the genre, can propel artists and ruin others – Ja Rule, Canibus. In this “sport”, the best way to prove your superiority is to devalue your opponent. Not the best life lesson, we agree. The ingenuity with which some rappers express their anger can, however, be impressive. The piece euphoria conceals several pearls.
Before we dive in, let’s go back to 2011, when Drake, real name Aubrey Graham, was on the verge of superstardom and Kendrick Lamar’s career was taking off. Generous, the Torontonian invites the latter to demonstrate his talent on Buried Alive Interludeseventh track from his album Take Care. Additionally, Drake, who doesn’t even appear on the track, chooses K. Dot – and A$AP Rocky – to accompany him on tour. The following year, he provided a verse to Poetic Justice on good kid, mAAd city, the record that revealed Kendrick. This was their last collaboration.
First offense
In a short time, Kendrick Lamar is recognized as one of the best in his profession. He does not hesitate to let it be known by declaring on the piece Control, by Big Sean, that he tries to “kill” the competition, mentioning among others J. Cole, Meek Mill, Pusha T, Mac Miller, Tyler, The Creator and Drake. Some of them fight back, but not the latter. A few years gone by and a little more fuel from Kendrick – the songs King Kunta And Deep Waterin particular – ultimately motivate the Canadian to react on 100, from The Game. He insinuates that Kendrick’s fans would be his if he hadn’t become a pop artist.
Extract of Controlby Big Sean (with Kendrick Lamar)
The question of top 3
Last October, J. Cole finally managed to climb to the top of the charts thanks to First Person Shooterhis contribution to the album For All the Dogs, by Drake. On it, he states that himself, Drizzy and Kendrick constitute the “ big three » of hip-hop. Some would have been flattered, but not the latter. On March 22, on Like Thattaken from the first part We Don’t Trust You by Future and Metro Boomin, the Compton MC assures that he is in another league then shoots several arrows in the direction of the two friends. The song, which today has more than 200 million streams on Spotify, sets things on fire.
Extract of Like Thatby Future and Metro Boomin (with Kendrick Lamar)
Shots from all sides… even from the AI
J. Cole responded first, on April 5, with 7 Minute Drillsince removed from his aptly titled album Might Delete Later – he warned us. A few days after the release, at the Dreamville festival, he apologized and then admitted to having succumbed to peer pressure to record a line.
Extract of 7 Minute Drillby J. Cole
The following week, A$AP Rocky and The Weeknd sent some barbs to Drake on We Still Don’t Trust You, second offering from Future and Metro Boomin. On April 13, comparing herself to Uma Thurman’s character in Kill Bill – because he fights alone against many –, Drake launches Push Ups, which targets everyone who has faced him and his frequent collaborator Rick Ross. This one, who will be at the Mural festival on June 15, hastens to respond with Champagne Momentson which he accuses Drake of not writing his lyrics and of having resorted to cosmetic surgery.
For a moment it appears that Kendrick is returning to the arena with 1 Shot 1 Kill, but it is a creation with the help of artificial intelligence (AI) quickly claimed by Sy The Rapper. AI is also used to imitate Drake’s voice and style on the song Hi Whitney. Aubrey Graham deliberately uses AI on his next attack, Taylor Made. In order to humiliate Lamar, he reproduces the voices of his idols Snoop Dogg and 2Pac. The family of the latter, who died in 1996, threatened to sue him and the false contributions were deleted.
On April 21, Kanye West jumped into the fray with a remix of Like Thatwhich revives old hostilities with Drake.
Six-minute clubbing
Although some believe he took too long to respond, euphoria is for the moment the most eloquent proposition generated in this chicanery between hip-hop stars. On three beats which follow one another, Kendrick Lamar deploys a vast arsenal of flows to cut Drake and Aubrey Graham to pieces, as much the artist as the man. He questions its authenticity by evoking his use of authors for his texts (ghostwriters). The Californian makes fun of the way the Canadian draws inspiration from different cultures to forge his artistic identity. He also attacks his qualities as a parent and friend. “Yeah, Cole and Aubrey know I’m a selfish n***a/The crown is heavy, huh/I pray they my real friends, if not, I’m YNW Melly. »
Excerpt fromeuphoriaby Kendrick Lamar
In 2019, YNW Melly was charged with the murder of two rappers he was previously associated with. Kendrick suggests he could do the same – in song. Since Tuesday, the texts, videos and podcasts dissecting the words ofeuphoria multiply. The explanations of Dissect Podcast are among the most relevant.
Consult the publication of Dissect Podcast on
It is not finished
Friday morning, Kendrick Lamar posted 6:16 in LA on his Instagram account. The track references Drake’s series of songs using the same formula: time and city. The Pulitzer Prize-winning rapper also delivers on his promise on euphoria where he claimed to offer consecutive jabs. “ Back to Back, I like that record I’ma get back to that, for the record. »
Extract of 6:16 in LAby Kendrick Lamar
Back to Back is one of the caustic headlines Drake sent to Meek Mill during their 2015 feud.
Check out Kendrick Lamar’s post on Instagram
Around 11 p.m. Friday night, Drake responded with Family Matters, on which he attacked Kendrick’s family and loved ones. Less than an hour later, he responded with meet the grahams. By the time you read this, the internet will likely have analyzed every word of the two new attacks and will be eagerly awaiting what happens next.
Watch the video clip of Family Matters
Listen meet the grahamsby Kendrick Lamar