[Critique] Surrender, Maggie Rogers | The duty

Studious student and applied to the school of indie-pop, Maggie Rogers offers a second album under the sign of emancipation. More fleshy in terms of arrangements (sometimes almost rock) than his previous album, Heard It in a Past Life (2019), it exudes this manic precision betraying the caution of the one to whom the music industry with a capital “I” promised glory and Grammys. A bit of madness would do her good: if Rogers already has the air of an effective songwriter, as evidenced by the strongest songs of the album, the extract That’s Where I Am (a reminder of his first success, Alaska) or Shatter (with the participation of Florence Welch on backing vocals), pop-rock firecracker like The Cars, everything is presented too smoothly. Add that to her interpretations, the Achilles heel of the young American: Maggie has a beautiful mature voice, but everything, her doubts, her disappointments, her amorous passions, is sung with this same detachment which borders on boredom, hers like ours.

Click here for an excerpt.

Surrender

★★★

​Pop

Maggie Rogers, Debay

To see in video


source site-39

Latest