Cesar 2023: Adèle Exarchopoulos leaves the red carpet faster than expected, visibly very drunk by the attitude of the photographers!

Who will win the “battle” between Virginie Efira and Adèle Exarchopoulos? The answer in a few hours, during the 48th Cesar ceremony. Indeed, actors and actresses meet this Friday, February 24 at the Olympia. To attend the evening which rewards actors and actresses, directors and directors, or even original music. Many prizes will once again be awarded, but the one that particularly catches the attention of moviegoers concerns a category. That of the best actress.

Indeed, it is Virginie Efira and Adèle Exarchopoulos who “compete” in this category. The first is competing in the category for her role in “See Paris again” by Alice Winocourt. While the second could be rewarded for her role as Cassandre in “Rien à foutre” by Emmanuel Marre and Julie Lecoustre. As for the Belgian actress, she plays the role of Mia during the Paris attacks of November 13, 2015. “Three months later, when she still hasn’t managed to resume the course of her life and only remembers the event in snatches, Mia decides to investigate in her memory to find the way of a possible happiness”noted Allocinatedabout the synopsis.

See also: Abdellatif Kechiche, who revealed Adèle Exarchopoulos, accused of sexual assault…

Adele Exarchopoulos annoyed on the red carpet

Adèle Exarchopoulos, meanwhile, plays a young flight attendant who works for a low-cost airline. living day by day, “she goes on flights and parties without a future” say our colleagues. The young hostess ends up losing her footing and will have to face the buried pains and return to those she left on the ground.

Two roles that have convinced moviegoers and that promises a great battle between the two actresses. But to believe their first moments at the Olympia this Friday, February 24, the pressure seems palpable. Indeed, on the red carpet when she was challenged, intensively, by the photographers. So much so that the 29-year-old actress left the red carpet mimicking the gestures of “image sensors”, while frowning.

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