A story of one’s own | The Story of Adoption

They were born in South Korea, Brazil, Australia, Rwanda and Sri Lanka. They were all adopted. All grew up in France. And today, they tell each other.

Silvia Galipeau
The Press

A story of its own, a feature-length documentary written and directed by Amandine Gay, in theaters from Friday August 26, gives for a rare time the microphone to the main stakeholders in matters of adoption. Not the adoptive parents, even less the institutions, but indeed the children… grown up. A step back which makes it possible to propose, beyond the intimate, a downright political angle to the discourse.

“We come from somewhere. We are the fruit of a prior history. We all come from someone”, said one of them, analyzing his career.

“The idea is to show that adoption is not a limited moment in time,” explains the director in an interview. “But let it last a lifetime. »

A trendy idea, exploited earlier this year by Nicolas Ouellet in his web series Where do you come fromthen next year by Phara Thibault in his autobiographical monologue Chocolateon the boards of the Little Unicorn.

It lasts, it lives in someone for a lifetime, and it also evolves. All it takes is the birth of a child (one’s own), the loss of a loved one (the adoptive parent?), and also a letter (from a biological parent, for example), for the past to resurface. A war, a natural disaster, a media scandal in the country of origin, and adoption also reappears, illustrates the director, for whom there is no doubt: “Adoption is political. »

She knows something about it, Amandine Gay, having herself been adopted, although “locally”, as she says (and not internationally).

Adoption is political, she explains, because it typically “moves” children from one background to another. A first environment, poorer and disadvantaged, in a second, generally more affluent. A child from the south, to the north. “But what does it mean, moving a child from one environment to another? she wonders. When you come from a favela in Brazil and you grow up in a bourgeois environment in Europe (non-fictional example, told in the film), “how do you then get closer to our communities, how do you negotiate this social displacement? “.

Let’s say that we are far from the fantasy of reunions at Disney.

An archival film

These political questions also arise for the viewer throughout the documentary, albeit in all subtlety. For good reason: archival film in the strict sense, A story of its own does not count, for any image, that the photos and videos of the families (from yesterday to today), in addition to a few excerpts, here and there, of media or historical archives. As the only narration: the voice off protagonists. The stories of five distinct characters (Joohee, Mathieu, Anne-Charlotte, Niyongira and Céline), with backgrounds as varied as unique.

All without falling into emotional or tearful pathos or sensationalism. Although tackling head-on the questions of identity (and this constant feeling of having “the ass between two chairs”), of gratitude (and of the myth of the so-called “saved” child), and of the eternal “uprooting”.

To do this, the director met nearly a hundred people, made a number of recordings, searched mountains of family photos. In the end, she kept only five stories, the most complete in terms of documents, distinct, but nevertheless relevant to her narrative framework. “The idea is that they speak with one voice,” she says.

If adopted people can recognize themselves in her film, Amandine Gay will have won her bet. Above all, if the general public can experience a moment of empathy here, it will be even better. So that one day, we finally put an end to the “you’re lucky” and other “where did we find you? », so grossly misplaced.

At the Cinémathèque québécoise, starting Friday, August 26