Women of Legend review | Elisabeth Pion, painter of atmospheres

Portraits of women and other piano treats by a young artist to follow.


Élisabeth Pion is one of the young pianists rising in Quebec. At 27, this former student of André Laplante at the Montreal Conservatory (like Charles Richard-Hamelin) has already made her debut at Wigmore Hall in London, the city where she perfected her skills for a few years.

The proof that she is rising is that she will perform as a soloist with two Montreal orchestras next year: at the opening of the Arion season in October in Mozart and Hélène de Montgeroult and with the Métropolitain in January in a concerto by the Latvian Lūcija Garūta (1902-1977).

We can see right away that Pion likes to think outside the box, which his first album, with Atma, entitled legendary womenshows acutely.

The big piece of the disc is the eponymous collection – recently made from scratch by a German publisher from scattered pieces – of portraits of seven mythical women by the French composer Mel Bonis (1858-1937). The faces of Mélisande, Desdémone, Salomé and others parade before our eyes in a genuine impressionist idiom. Lovely music, though not necessarily overwhelming.

Lili Boulanger also occupies an important place with her imposing and serious Theme and Variations in C minor, plus four short pieces. A depth that makes us bitterly regret his death at the age of 24 from tuberculosis.

The rest of the disc, more loosely linked to the female world, stems from the pianist’s avowed passion for French music, which allows us to hear the interesting sequel By the wavescomposed by a young Dutilleux for the nascent radio, as well as the happy Island by Debussy.

Two “hiccups” to the frankness of the project: an arrangement by Thomas Adès of the “Lullaby” from his own opera The Exterminating Angeland a sweet piece with jazz accents composed by Pion.

The recording, made last winter in the advantageous setting of the Domaine Forget concert hall, highlights the subtle playing of the pianist, who shows a real love for this music and a consummate art of the pianistic atmosphere. A name to remember.

We can hear a good part of this program during a recital by Élisabeth Pion at the Festival Classica on June 3 (9 p.m.) at St. Andrew’s Presbyterian Church in Saint-Lambert.

Excerpt fromOmphaleby Elisabeth Pion

legendary women

Classical music

legendary women

Elisabeth Pion

Atma

8.5/10


source site-53