Possible lives/menm vye tintin (remix)
PHOTO LUCIEN LISABELLE, PROVIDED BY THE ARTIST
View of the exhibition possible livesat the Laurentian Contemporary Art Museum in 2022
The Center d’exposition de l’Université de Montréal presents, from January 12 until 1er april, possible lives/menm vye tintin (remix)by Stanley Juillet, a corpus exhibited in 2021 and 2022 at the Musée national des beaux-arts du Québec and at the Musée d’art contemporain des Laurentides.
Practice as Ritual/Ritual as Practice
PHOTO CHIEDZA PASIPANODYA, PROVIDED BY ARTICULE
UntitledKhadejha, 2022
The struggle of Blacks is also at the heart of the concerns of Articule which will welcome, on March 17, the collective DAWA (Diasporic African Women’s Art Collective) and the curator Andrea Fatona for Practice as Ritual/Ritual as Practice. Works by 10 artists who participated in the historic DAWA exhibition in 1989, Black Wimmin: When and Where We Enterthe first to address the exclusion of black artists from Canada’s visual landscape.
Where Were You in ’92?
At Optica, Pamila Matharu will present Where Were You in ’92?from 21 January to 1er April, on the embodied archive that is the groundbreaking legacy of Fresh Arts, a program led by black artists.
Change Ringing and The uncertain state
Clark proposes, until February 11, Change Ringingby Jeanette Johns, on the theme of observation, and The uncertain statewith works by Jorge González Santos, Chaveli Sifre, Melissa Raymond, Joel Rodríguez Vargas and Radamés “Juni” Figueroa, who are interested in territorial recovery, sensory awareness and contemporary notions of tropical aesthetics.
Terms of use
The PHI Foundation will present, from March 9, Terms of use, which brings together the works of 13 artists (including Skawennati, Nico Williams, Wu Tsang and Chun Hua Catherine Dong) who explore the effect that technologies have on the definition, construction and reframing of individual and collective identities.
Exhibition of prints by Albert Dumouchel (1916-1971
PHOTO SYLVAIN MALETTE, PROVIDED BY THE GALERIE DE L’UQAM
The death of the cyclist, 1965, Albert Dumouchel, wire wood. University of Quebec in Montreal, Library Service, Center for Rare Books and Special Collections (in the process of being acquired).
As part of the exhibition of prints by Albert Dumouchel (1916-1971) at the Montreal Museum of Fine Arts, the UQAM Center de design will discuss the role of matrices for the Quebec engraver, from February 9 to April 8.
be imaginary
PHOTO CHINAEDU NWADIBIA, PROVIDED BY 1700 LA POSTE
Jannick Deslauriers near one of his works
After the very penetrating exhibition devoted in 2022 to Raymonde April, the 1700 La Poste will reward us with sculptural works by Jannick Deslauriers, from March 17 to June 18. be imaginary will be one of the highlights of Montreal’s spring visual arts program.
Sediment: the archive as a fragmentary basis
PHOTO PROVIDED BY LEONARD & BINA ELLEN GALLERY
Still from the movie Openingsby Louis Henderson
Circa presents the work of Maude Arès at the Belgo, until March 4, then that of Louis Bouvier, from March 18 to April 29. Judy Radul will occupy the Dazibao showroom from February 9 to April 8 with a very musical work, and at the same time, we will be delighted to find Anne-Renée Hotte with Song Circle in the screening room. At Concordia, Leonard & Bina Ellen is exhibiting, from February 4 to 1er april, Sediment: the archive as a fragmentary basisa proposal by Denise Ryner with works by Sandra Brewster, Filipa César, Justine Chambers, Louis Henderson, Pamila Matharu and Krista Belle Stewart.
EISODE
A place dedicated to generative arts, EISODE offers an experience around the computer until February 23. Reservations are required to participate in the activity organized by artists Baron Lanteigne and Camille Bernard-Gravel.
daphne aboriginal art center
From February 18 to April 29, the daphne Aboriginal art center will exhibit an installation by Nicolas Renaud (Wendat) and Dominic Lafontaine (Algonquin) that explores the notions of multipresence through the wampum.
And tell me: why is the past tense always longer?
The Stewart Hall Art Gallery in Pointe-Claire honors, until March 14, Michael Snow (recently deceased) who is part of the exhibition And tell me: why is the past tense always longer?, alongside Dominique Rivard, Lan “Florence” Yee, Nicolas Fleming, Raymonde April, Olivia Boudreau, Marie-Michelle Deschamps, Alexandre Guay and Margot Klingender. A look at the passage of time, by curator Maude Hénaire.
The Underground Art Festival
The Art Souterrain festival will be back, for its 15e edition, from March 18 to April 9, on the theme of Celebration. Art Souterrain has just launched a podcast, Behind the scenes of art. Interviews with artists, curators and gallery owners. The first episode is dedicated to Yann Pocreau.
deadly state and Both feet in heritage
Expression, the Saint-Hyacinthe exhibition center will present, from January 28 to April 23, a new installation by Cooke-Sasseville, deadly stateas well as a look back at the Quebec duo’s last ten years of practice, with Both feet in heritage.
Jacques-et-Michel-Auger Art Center in Victoriaville
PHOTO MICHEL HUNEAULT, PROVIDED BY THE ARTIST
Untitled 10, Roxham Road, from the Serie Intersection2017, Michel Huneault
Finally, the Jacques-et-Michel-Auger art center in Victoriaville presents, until February 11, Our wild horizons, an installation by sculptor Dgino Cantin. Two workshops for children will be organized with the artist on January 28th. The art center also exhibits in the city center, until April 30, the photographs of the corpus Roxham by Michel Huneault. Images evoking Roxham Road, still relevant at the start of the year…