Lou-Adriane Cassidy, Lydia Képinski and P’tit Belliveau shine at GAMIQ

In the fairest of musical galas in Quebec, Lou-Adriane Cassidy, Lydia Képinski and P’tit Belliveau shone, the first by winning the Artist of the Year award, the following by collecting two Lucien awards each. The organizers of the Alternative Independent Music Gala of Quebec (GAMIQ), which was held at the Plaza theater on Sunday evening, also praised the work of composer and guitarist René Lussier, who reissued his masterpiece earlier this year. The treasure of language originally published in 1989, awarding him the Lucien Hommage prize.

The main categories of the ceremony reflected on the musicians of our stage, starting with Lou-Adriane Cassidy, Artist of the Year. A reward that belonged to him so much for his album Lou-Adriane Cassidy says to you: Good evening released in November 2021 only for the show she has presented on tour in recent months, one of the best stage performances by a Quebec artist that we have attended this year.

Singer-songwriter Tamara Weber was crowned Revelation of the Year (her latest project, the mini-album February, was released in the summer of 2021), while the Lucien Espoir 2023 was awarded to the pop duo Bibi Club, made up of Adèle Trottier-Rivard (vocals, keyboards) and Nicolas Basque (guitar), who presented their first album in last August.

For his album Since, Lydia Képinski won the Lucien for the Pop Album, then the Music Video (budget) for the short film accompanying the excerpt MTL hates me, taken from the same album. The amount of music videos submitted to the gala organization was such that it decided to create new categories to make more lucky winners. Thus, P’tit Belliveau won two, for Videoclip – Animation for the song RRSP / Large piece, a delusional stop-motion signed Vincent Bilodeau, and for the Music Video – WTF ​​illustrating the song I feel like an alien even more delirious than the first, do not doubt it.

Then come the awards for albums (and mini-albums) in a multitude of musical genres, testifying to the richness of our independent musical production. Gros Mené seizes Lucien from the Rock Album for Peace and Bonum, while that of the punk Album returns to Fuck Any for the torrid Coke Computer. In the Metal Album category, glory to BARF veterans for their album Wild region. The excellent group Choses Sauvages will leave with Lucien from the indie rock Album (for Wild Things II), while the indie rock EP prize will be awarded to Allô Fantôme. Elephant Stone collects the rock EP award for Mr. Lonely’s trip to the Moon, while that of the post-punk / post-rock Album or EP is given to the trio Yoo Doo Right for A Murmur, Boundless to the East, released last June.

The musicians also claim top honors in the rap categories: Godspeed: Elevated is crowned Rap Album, a final distinction for its author Naya Ali, who a few weeks ago won the Félix for Album of the Year – Anglophone , awarded by ADISQ

In the folk department, Natasha Kanapé won the Lucien for best mini-album for Nui Pimuten, while that of the Folk Album goes to Mon Doux Saigneur for middle age. Country folk singer-songwriter Ben Claveau receives the Lucien de l’Album country, for his self-production The road is long to the top, and Les Tireux d’roches, that of the Trad project of the year for Tapiskwan Sipi.

Female musicians also claim top honors in the rap categories: Godspeed: Elevated is crowned Rap Album, a final distinction for its author Naya Ali, who a few weeks ago won the Félix for Album of the Year – Anglophone, awarded by ADISQ. The Lucien of the rap EP of the year went to revelation Magi Merlin.

The Jazz Street Boyz quartet launched its album last April JSB3, sacred last night Jazz album. Finally, the Winston Band won the Lucien Album (or mini-album) world (for Enweye to Lafayette), Clay and Friends that of the Pop EP (Agua), the instrumental groove band from Quebec Ping Pong Go le Lucien Expérimental, Super Plage le Lucien Électro (Electro-holiday) and Les Hôtesses d’Hilaire, Lucien Hors-Québec for the album No time to fool around.

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