(Paris) Ben Harper, a little off the radar in recent years, signs a comeback by summoning the spirit of Marvin Gaye and drawing on soul for an album between groove and commitment.
Posted at 9:31 a.m.
In 1971, Marvin Gaye signed What’s going onrecord by an artist preoccupied with the war in Vietnam and the open fronts in the United States between racial and social injustices.
Half a century later, war has been in Ukraine since the Russian invasion and the United States still faces the same inner demons. In his new disc, Bloodline maintenanceBen Harper talks about the nuclear threat (Where did we go wrong ), the memory work to be maintained on slavery (We need to talk about it) and inequalities (problem child).
“I am terribly concerned about the world that we are going to leave to our children and grandchildren, to the point that I even lose sleep over it”, confides the artist, reached by telephone by AFP in Toulouse between two tour dates. .
“I have no illusions about what a person, a song or a voice can do in the face of all this. I am as helpless as you but, for the causes that are close to our hearts, like fighting against those who want to rewrite history, sometimes we have to talk, sometimes we have to shout, sometimes we have to sing, because silence is not an option “.
Settling in France
Faced with an anxiety-provoking American climate weighed down by outbreaks of gun killings and the questioning of abortion by the conservative Supreme Court, Ben Harper, a Californian by origin, decided to change scenery. “I want to settle in France, I’ve been here since I was 17: let’s be clear, I don’t idealize any place, everyone has their problems to solve, but I’m looking for a little inner peace and I can’t. ‘to have in the United States’, develops the singer and guitarist.
Logical when you think that it was a French festival, the Trans Musicales in Rennes (west), which was an international springboard for him in 1993. “It was my first official concert outside my home, I didn’t expect not to such a (warm) public reception. Nothing can replace this memory, I couldn’t sleep the days after”.
“I had wandered around the region, I had been mystified by the Breton landscapes. I had been to Carhaix to see the menhirs, the sea. I had been carried away by all that”. Nor does he forget Jean-Louis Brossard, boss of the “Trans”. “I haven’t met since someone who can bet as much on an unknown artist as he did with me”.
Sam Cooke, Ray Charles
Leaving the United States is not for the fifties – who does not look his age and continues to practice skateboarding – synonymous with renunciation. The gloomy observations he makes in his 17e studio album are counterbalanced by the light that can spring from a heart, the most powerful of engines.
He thus digs the furrow of a Marvin Gaye, “the only one, apart from perhaps Dylan, capable of singing amorous impulses and social painting as well as in how sweet it is and What’s going on“.
Marvin Gaye is not the only illustrious godfather chosen by Ben Harper, who sometimes sounds like Sam Cooke (More than love) or Ray Charles (Honey, Honey).
If the musician always knows how to make his guitar cry to illustrate his point (We need to talk about it), he reaches for the first time the point of balance between all his influences, since soul is adorned here with gospel, funk, jazz, rock or blues.
“I hope this record in its ultimate form resembles a modern soul record with traditional instruments, he synthesizes. This album is a meeting point for my influences, a place to take off from in the future”.