After 2 albums released by Sony in 2014 (France) and 2018 (Heavy Weather), the author, composer and performer regains control of her art, which is continually reinvented.
A new album in which Owlle expresses himself in French without concealing its Anglo-Saxon pop influences even if “looking for texts that sound like in English, it was long and galvanizing, she admits. A beneficial work when you hear the flow and the hard-hitting words of the title “Le Goût de la fête”.
In “Folle Machine”, he is often question the stigma of the past, ghosts even, but with which we must continue to move forward: “this album is a way of remaining who I am with my convictions, of showing a little cynicism and humor in the face of my mistakes. The beauty of chaos is tangible , it is also necessary to tell what does not work… or not right away”. It is a rich and astonishing record, led by the common thread of his voice where melancholy sometimes gives way to sweet madness.